David Fincher turns Netflix homes into 1940s movie houses with his latest opus, Mank, which explores the life and frustrations of Citizen Kane’s screenwriter Herman J.
Mankiewicz, as he works his way through the draft of what will become Orson Welles’ seminal directorial debut. With its title role imbued with Mankiewicz’s world-weary wit by Gary Oldman, and from a script first drafted more than 20 years ago by Fincher’s father Jack, who passed away in 2003, the film reignites the debate about the authorship of a film Welles might nearly have taken sole credit for.
But it is about more than that besides; a love and hate letter to the machinations of the movie business, a remarkably timely examination of the façade of truth in the news media,.
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