Kirk Douglas (born Issur Danielovitch; December 9, 1916 – February 5, 2020) was an American actor, producer, director, philanthropist and author. After an impoverished childhood with immigrant parents and six sisters, he made his film debut in The Strange Love of Martha Ivers (1946) with Barbara Stanwyck.
Douglas soon developed into a leading box-office star throughout the 1950s, known for serious dramas, including westerns and war films. During his career, he appeared in more than 90 films. Douglas was known for his explosive acting style, which he displayed as a criminal defense attorney in Town Without Pity (1961).
Owen Gleiberman Chief Film Critic The Hollywood biographical drama — or biopic, to use the word that always makes it sound like a dental instrument — is enjoying its mega-moment. “Oppenheimer,” Christopher Nolan’s three-hour epic about the father of the atomic bomb, proved that a story-of-a-life movie could be as big and coruscating as the cosmos; not so incidentally, it’s garnered Nolan the most ecstatic reviews of his career.
Sofia Coppola’s “Priscilla” has also won audiences and acclaim. In telling the story of Priscilla Presley, who met Elvis when she was 14 and spent six years married to a slowly dissolving mirage, the film takes us through the looking glass of pop-music fame.
In Bradley Cooper’s “Maestro,” the lives of Leonard Bernstein and his wife, Felicia Montealegre, become a rapturous study in love, sexuality, bigotry, creativity and the mysteries of marriage.
And “Ferrari,” Michael Mann’s upcoming drama about the Italian automaker, is a film accomplished enough to feel like “Grand Prix” crossed with “The Godfather.” All these movies are awards contenders, and each of them, in a different way, is enthralling.
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