Adam Wingard has always had a flair for the most ultra-vibrant and loud segments of the color spectrum. Growing up in the ’80s, the golden age of movie tie-in merchandise, the director vividly remembers the neon palette, the yellows, blues, and reds of seemingly every toy from “Transformers” to “Thundercats” to even just “the mellow yellow NASCAR” from “Days of Thunder.” Bold visuals and bright colors were a staple of “Godzilla vs.
