Austin Butler: Last News

has a four-hour cut of his newest film “Elvis.”And now, ever since the musical biopic premiered this past summer, the 59-year-old director has been fending off fans who actually want to view the extended version.“I tell you what, all my tweets are nothing but, ‘We want the four-hour version! We want the four-hour version!’” the Aussie filmmaker recently told ScreenRant.“I think people are at my gates with pitchforks saying, ‘We want the four-hour version!’”However, Luhrmann is still open to releasing the 240-minute film, but not at present time. Following a three-month theatrical release, “Elvis” has finally hit streaming service HBO Max.

Kaia Gerber kicked it off in style. Cindy Crawford's daughter celebrated her 21st birthday on Saturday with a star-studded gathering at Los Angeles nightclub, Offsunset, a source confirmed to ET. «Billie Eilish, Finneas O’Connell, Camila Morrone, Evan Ross, Paris Jackson, Roddy Ricch and Madison Beer were all in attendance,» the source said, «and Kaytranada did a surprise performance with Roddy Ricch for Kaia.»According to the source, the birthday girl «had a bast» during her special night, including singing and dancing to Cyndi Lauper's «Girls Just Want to Have Fun» with Ross. «Kaia put on a crystal tiara towards the end of the night,» the source shared, «and danced with Billie and Camila.»Speaking of Morrone, who recently split from boyfriend Leonardo DiCaprio, the actress was spotted «dancing, smiling and partying,» the source described. One famous face who was missing from the celebrity soirée? Austin Butler.

the “Today” show that she found it hard to watch the unfolding of Presley’s relationship with his manager, Colonel Tom Parker.She also said seeing how the singer wanted — but ultimately failed — to take his career beyond music and into “serious” film work was a bitter pill to swallow.“He wanted to do movies, serious movies, and Colonel Parker probably should have stayed a publicist,” she told the outlet. “He didn’t take Elvis where he wanted to be, and that was hard because I lived it.“I lived the arguments that they had, I lived Elvis trying to explain he didn’t want to do the movies with all the girls and the beaches and everything, that he really wanted to do serious things,” she continued.“So living that, with him, and watching the movie, it brought back a lot of memories.”Presley has sung her praises for the film, officially giving her stamp of approval in April.In a Facebook post that month, the “Naked Gun” actress said she saw the movie with her late ex-husband’s longtime pal Jerry Schilling and was impressed by Austin Butler taking on the titular role.“The story is about Elvis and Colonel Parker’s relationship,” Presley wrote.

Believe it or not, it’s been six years since we’ve last seen a Jeff Nichols film. Sure, back in 2016, we were lucky enough to get the release of “Midnight Special” and “Loving,” but since then the filmmaker has been a bit silent.

Austin Butler enlisted the help of his girlfriend, Kaia Gerber, during a new photoshoot for ​Fall-Winter 2022 issue. In the blink-and-you-might-miss-it pics, Gerber's arm is draped around the 30-year-old star's neck.While Gerber's face isn't visible in the cheeky black-and-white photos, her «I know» wrist tattoo is clearly visible.

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Bohemian Rhapsody,” and Elton John, who got his own movie with “Rocketman,” Presley comes with more pop-culture baggage than you could stuff into a million Gracelands.There’s the campy Vegas impersonators, the “thank you, thank you very much” catchphrase, the white jumpsuit, the late-in-life weight gain and, of course, dying on the toilet at age 42. For such a singular figure in music — still instantly recognizable to teens today in a way that Bruce Springsteen and Paul Simon are not — he’s not allowed much dignity.Luhrmann’s hugely entertaining film and Butler’s sensational performance are dead set on righting that wrong. A movie that runs on jet fuel and confetti, “Elvis” is a tribute to Presley’s innovative spirit, deep passion for fusing blues, country and gospel music and the intense connection he had with his audience. Elvis taking inspiration from black musicians like B.B.

Priscilla Presley, daughter, Lisa Marie Presley, and granddaughter, Riley Keough — made it official, with a hand and footprint ceremony at the famous TCL Chinese Theatre in Hollywood.The trio — along with Lisa Marie's 13-year-old twin daughters, Harper and Finley — was honored in celebration of the legacy of their famous family, as well as the upcoming release of the biopic, directed by Baz Luhrmann and starring Austin Butler as the King of Rock and Roll himself. Luhrmann and Butler both spoke at the ceremony, which was a moving moment for all of the members of the family, who have been outspoken in their support of the upcoming film and its portrayal of their late, iconic patriarch.«It means a lot, absolutely, to my family and the people who knew Elvis really, really well, to be honored in this way,» Priscilla told ET, adding that the theater — then known as the Grauman's Chinese Theatre — was one of the first sights she saw with Elvis when she first came to Los Angeles in 1962. «It's just incredibly emotional and kind of hard to process, but it's definitely such a big honor,» Riley agreed.For Lisa Marie, the film's release feels like a much larger cultural moment than just a celebration of her father's legacy — not only explores the life of the man himself, but the Black artists and cultural traditions that shaped his musical background.«It means everything to us, it's so important,» she shared. «I mean, everything that's happening right now… the movie is important. The subject matter is important.

Austin Butler felt a heavy weight on his shoulders when it came time to step into Elvis Presley's blue suede shoes for the upcoming biopic, directed by Baz Luhrmann.«Elvis is so loved and so iconic,» the actor told ET's Nischelle Turner earlier this week. «You feel a responsibility playing any human that has actually lived, but with him, it's a weight like I never felt before.»«There's a responsibility to his family, and also putting his story into context,» he continued. «There's so many misconceptions about him, there's so many ideas about him.

A perfect part of the role. Austin Butler’s commitment to his Elvis Presley role is no joke. The Elvis star took to The Tonight Show with Jimmy Fallon on June 16, 2022, to show off his impersonation skills of The King of Rock & Roll.

Austin Butler had more than a few nerves when it came time to take on the role of Elvis Presley in the upcoming Baz Luhrmann-directed biopic, . The actor dealt with his nerves by becoming nearly «obsessive» in his research for the role, learning all about Elvis' life, career, family, and even his iconic voice.«I said, 'I'm just gonna drop everything and I'm gonna obsess. I'm going to allow myself to obsess,'» he recalled in a behind-the-scenes clip from the film. «And so I just started reading and watching everything I could on his life and on his friends and on his relationships and listened to only his music.»The other thing Butler had working in his favor as he tackled the daunting role was the support of Elvis' family.

Austin Butler is finally getting to the bottom of the internet’s obsession with his “Elvis voice.” Over the weekend, ET spoke with the 30-year-old actor, who plays the King of Rock and Roll in the upcoming Baz Luhrmann-biopic, and he shared why he can’t shake the voice.  “At this point, I keep asking people, ‘Is this my voice?’ because this feels like my real … it’s one of those things where certain things trigger it and other times as well it’s, I don’t know,” Butler told ET’s Nischelle Turner.

Baz Luhrmann’s “Elvis” her rare stamp of approval. Lisa Marie Presley, 54, praised the flick in an Instagram post on Saturday.

Austin Butler’s version of «Trouble» from the upcoming biopic -- and rightfully so. On Saturday, the film’s director, Baz Luhrmann confirmed to fans that it is in fact Butler’s vocals in all of the young Elvis performances from the film.

Harry Styles and Elvis Presley are both pop-culture sensations who crossed over to movies after wildly successful music careers. But for “Elvis” director Baz Luhrmann, their status as generational icons made Styles a poor choice to play The King in his new biopic.

Austin Butler had more than a few nerves when it came time to take on the role of Elvis Presley in the upcoming Baz Luhrmann-directed biopic. «I was nervous and afraid of the big numbers with tons of extras, to go out there and perform in front of a lot of people,» Butler admits in behind-the-scenes footage from, which hits theaters on June 24. «I was filled with terror at that idea.»Smartly, Butler consulted a peer about his nerves: Rami Malek, who won an Academy Award in 2019 for his portrayal of Queen frontman Freddie Mercury in .«He said, 'You know what? Those days will probably end up becoming your favorite days,'» Butler remembers, sharing Malek's hindsight from his role. «He could not be more right about that… I was terrified every time before going out there… But Elvis said it as well.

Austin Butler is receiving a lot of praise for his role as Elvis Presley. Butler plays the King of Rock n Roll in the upcoming Baz Luhrmann-directed biopic, out in June. Not only are critics praising the performance, the 30-year-old actor has gotten rave reviews from Elvis’ former wife, Priscilla Presley and daughter,Lisa Marie Presley.

upcoming biopic “Elvis.”The 65-year-old Oscar winner discussed why he decided to portray him — and how director Baz Luhrmann convinced him to do so — at the Cannes Film Festival on Thursday.“I’m not interested in playing a bad guy just for the sake of, ‘Before I kill you, Mr. Bond, perhaps you’d like a tour of my installations.’ That’s OK, I get it, but that’s for other stuff,” the “Forrest Gump” actor noted via People.Hanks donned prosthetics and hefty cosmetics to become the real-life legend, though he confessed at the French film fest that he “did not know what Colonel Tom Parker looked like.”He added that Luhrmann described the Colonel as a “great carney,” or carnival worker.“The carney’s job is to bring people to the glittering lights on the outside of town, promise them something they’ve never experienced before, and then, almost giving it to them, at a cost,” he said.

“fizzy, delirious, impishly energized, compulsively watchable” — reviews have been mixed with one critic all shook up.IndieWire writer David Ehrlich published his review of the Austin Butler and Tom Hanks-led film Wednesday and trash-talked the flick, calling it a “nightmare” as well as “deliriously awful.”The journalist dove right into “Elvis” — out June 24 — writing that the “159-minute eyesore” is more about Hanks’ Colonel Tom Parker, the longtime manager of the “Love Me Tender” star, and less about Butler’s Elvis.He gave “Elvis” a grade of “D.”IndieWire described the Oscar winner’s character as the “Kentucky Fried Goldmember” and is “possibly the most insufferable movie character ever conceived.” The Hollywood Reporter seemed to agree, dubbing the “Forrest Gump” actor’s role as “arguably the least appealing performance of his career.”But for IndieWire’s Ehrlich, the problem seemed to lie in the pudding: the writing.“Luhrmann’s dizzying script (co-written by Sam Bromell, Jeremy Doner and Craig Pearce) frequently returns to the idea that Presley’s life was caught in the crossfire between two different Americas: One gyrating towards freedom, and the other snuffing it out,” he penned in his review.The critic also compares scenes in “Elvis” to Luhrmann’s other “sensory overload” and “swooningly electric moments” such as the fish tank sequence in his 1996 romance “Romeo + Juliet” and the wild party scene in 2013’s “The Great Gatsby.” “The hyper-romantic energy of those films helped braid the present into the past in a way that made them both feel more alive,” he wrote. “’Elvis’ discovers no such purpose.

CANNES – Following its world premiere at the 2022 Cannes Film Festival the reviews for Baz Luhrmann’s “Elvis” are in. So far most critics have raved about Austin Butler’s performance as the King of Rock and Roll and complicated Luhrmann’s staging of the movie’s musical performances.

There’s really no overstating the sociocultural impact of Elvis Aaron Presley, whose music and celebrity cleaved the twentieth century in half as an Ozymandias colossus foretelling the future of fame: merchandising, overexposure, descent into self-parody. That’s all in Baz Luhrmann’s new biopic “Elvis,” though mostly because he’s jammed everything he possibly can into its million-millennia run time.