5/11/24: Last News

on her recent trip to Nigeria.Online sleuths did not miss the connection between the style name of the blush pink Heidi Merrick dress and the British royal house that Markle, 42, and husband Prince Harry, 39, infamously left in 2020.While some wondered if it was a subtle nod to the House of Windsor, others saw it as an affront.“But they have been trying to erase the Windsors from their lives completely, but here comes Mrs. Sussex wearing a dress called ‘Windsor’, haha!!” one person commented on X.“Done as a snub.

Roger Corman, the Oscar-winning “King of the Bs” who helped turn out such low-budget classics as “Little Shop of Horrors” and “Attack of the Crab Monsters” and gave many of Hollywood’s most famous actors and directors early breaks, has died. He was 98.Corman died Thursday at his home in Santa Monica, California, his daughter Catherine Corman said Saturday in a statement.“He was generous, open-hearted and kind to all those who knew him,” the statement said.

CGI movie technology, it is getting harder and harder to deliver that true spine-chilling internal fear that makes horror films so great.Gen Z and Gen Alpha kids may arrogantly scoff at retro scary movies, but it hasn’t always been this way.There was once a time when picture-goers were so viscerally terrified by what they were seeing on the big screen that it would trigger powerful physical reactions right there in the theater.During Jaws (1975) people fainted and vomited in the cinema during some of the gruesome scenes, while others stopped going swimming in the ocean altogether out of pure fear.Alfred Hitchcock’s classic film Psycho (1960) sparked mania during the infamous shower stabbing scene, with reports of people hyperventilating and passing out in their cinema chairs.However, one of the most horrifying movies to ever hit the big screen, causing widespread panic, fear and repulsion, is William Friedkin’s The Exorcist (1973).Based on William Peter Blatty’s 1971 novel, the film follows the demonic possession of a young girl and her mother’s attempt to rescue her through an exorcism by two Catholic priests.With some wildly disturbing scenes, including some bizarre 360 degree head spinning, eerie spider-walking on the stairs and some disgusting projective lime-green vomit, it shocked those 1970s audiences to their core.One particular vulgar scene involving a crucifix — that is too crude to describe here — shocked and upset many, especially considering the percentage of people who were religious back then.The flick was so scary that even renowned Chicago Sun-Times film critic Roger Ebert was at a loss for words about how it made him feel.“I am not sure exactly what reasons people will have for seeing this movie; surely

Daily Mail on Saturday, saying she stood out for being extremely hard working and inquisitive. “She was amazing on staff, but she wasn’t afraid to raise her hand and say, ‘Can you explain? Can you help me with something if I want to be more than just a young star?'” the media power player proclaimed. She said Markle started in a minor role on “Suits,” before becoming a key star after impressing everyone on set with her hard work.

celebrate the 10th anniversary of the Invictus Games.“King Charles’ announcement… is a real kick in the teeth for the son who always felt marginalized and underrated,” royal expert Tom Quinn told The Mirror on Saturday. “He is said to have been in tears when he heard”.

fashion soulmate” early in her career — and he kept “all the receipts.”On an episode of the fashion podcast “The Cutting Room Floor,” Roach, 45, recalled how Chanel, Dior, Gucci, Valentino and Saint Laurent would “all say no” to Zendaya, 27, telling him to “try again next year” and calling her “too green,” per The Hollywood Reporter.“When I said, ‘If you say no, it’ll be a no forever,’ that rang true for a long, long time,” said Roach, who has been styling the “Dune” actress since she was just 14 years old.“By the time she had got to American Vogue, she still had never wore any of those designers — she still hasn’t,” he added, clarifying that in editorial, she has occasionally worn one of the sworn-off labels.“She still has never worn Dior on a carpet. She still has never worn Chanel on a carpet.

Marisa Abela as the doomed singer — opens in the US, after earning eyebrow-raising reviews in the UK. A critic for the Evening Standard called it “so bad it made me gasp in horror” and wrote that it “does not paint a nice or fair picture of [Winehouse] as a human.”Her friends and colleagues in New York City, like saxophonist Ian Hendrickson-Smith, remember her as “wonderful.” They knew a fun-loving, mischievous and incredibly talented woman prior to the tragedy that later played out before paparazzi cameras: the smeared mascara and ratty beehive and body visibly ravaged by drugs and drink and bulimia.Winehouse came to the city in March 2006 to record what would be her career-making second album, “Back to Black.” Produced by Mark Ronson, the record was made at the now defunct Chung King Studios near Sohoas well as at the stripped-down Daptone Studios in Bushwick, Brooklyn, with musical accompaniment provided by a crack local jazz/soul outfit called the Dap-Kings.“I was struck by how big her sound was, coming out of a small physique,” Ian Hendrickson-Smith, who played baritone sax with the group, recalled to The Post.