Addie Morfoot Contributor It’s no secret that corporations like Netflix, Amazon, and Apple have lost their appetite for current event documentaries that tackle politics.
The good old days when streamers shelled out seven figures for docus about polarizing politicians like Alexandria Ocasio-Cortez (“Knock Down the House”), and eye-opening mock-government teen conferences (“Boys State”) after their Sundance debuts are behind us.
That type of nonfiction, streamers would like you to think, doesn’t attract enough eyeballs and doesn’t lead to new subscriptions.
Algorithms suggest that doc audiences are mostly interested in watching docus about celebrities, cults and true crime. But Sundance programmers aren’t making their selections with commercial potential as their priority.
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