seven methods of killing kylie jenner (★★★☆☆) holds serious grievances against the “self-made” billionaire baby mogul of the Kardashian-Jenner clan.
It might be playwright Jasmine Lee-Jones, who voices myriad beefs through Cleo (Leanne Henlon), the brassy, riled-up Black British teenager who sparks a social media uproar in the audacious comedy making its U.S.
premiere at Woolly Mammoth.Cleo’s methods of expressing her indignation online, through memes and shitposts, and a Twitter tirade listing gruesome ways she’d like to make an example of Jenner, certainly look like the m.o.
of an internet troll. But she’s no mere green-eyed hater. To Jones’ credit, and that of director Milli Bhatia and her energetic two-person cast, Cleo doesn’t come off as just bitter or genuinely malicious, despite her deranged-sounding manifesto.Set off by Forbes Magazine‘s declaration that Kylie Jenner had, thanks to her cosmetics and promotional interests, attained the status of the world’s youngest self-made billionaire, Cleo raises worthy questions about how a person born into enormous wealth, fame, and privilege could be considered self-made.More crucially, she’s pissed off by what she sees as Kylie, Kim, and other white women co-opting and commodifying Black culture, from fashion and image to facial features.
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