Riley Keough Duets Simu Liu’s TikTok Performing ‘Daisy Jones & The Six’ Song

Daisy Jones & The Six just wrapped the first season on a high note but fans are dying to know if there will be a second season for the series at all.

SPOILER ALERT! This post contains details from the finale of Prime Video’s Daisy Jones & The Six.

With all this talk about the cast of Daisy Jones & The Six basically becoming a real-life rock band, it’s natural that there would be whispers about a possible tour.

Ellise Shafer SPOILER ALERT: This post contains spoilers for Episode 9 of “Daisy Jones & the Six,” titled “Feels Like the First Time.” At the beginning of Episode 9 of “Daisy Jones & the Six,” viewers are greeted by a needle drop that may seem too good to be true: As Daisy (Riley Keough) wakes up from almost overdosing the night before, Fleetwood Mac’s “Gold Dust Woman” starts to play. As the mystical track builds, Daisy realizes that her husband, Nicky (Gavin Drea), abandoned her while she was near death, leaving Daisy in the arms of Billy (Sam Claflin), her bandmate and frequent temptation. While Stevie Nicks sings “is it over now, do you know how?/ Pick up the pieces and go home,” Daisy yells at Nicky to “pack his shit up” and leave while the rest of the Six (Suki Waterhouse, Will Harrison, Josh Whitehouse and Sebastian Chacon) form a united front behind her.

has come to an emotional conclusion, revealing what happened to the many people in and surrounding the band, both in the late 1970s and the present. While a few notable characters died along the way, most of the band survived the meteoric rise and fall long enough to be able to recount the story of their brief but fiery time in the spotlight. Adapted from author Taylor Jenkins Reid's wildly popular book of the same name, the show was initially conceived and promoted as a limited series.

Katcy Stephan SPOILER ALERT: This interview contains spoilers for all episodes of “Daisy Jones & the Six,” now streaming on Prime Video. Taylor Jenkins Reid knows how to let go. The best-selling “Daisy Jones & the Six” author didn’t worry too much about Prime Video’s adaptation of her 2019 novel following the book precisely. “I don’t think I’ve ever wanted someone to go film my book exactly as it is,” she tells Variety during a conversation with executive producer Brad Mendelsohn. “Here’s a new version of this story. Here are new versions of this song. Here’s a new way to enjoy this. Hopefully, my readers will feel like they’re finding the things that they loved about it, but also that it is something different. I like that it’s different,” Reid says. “I don’t feel the need to compare them quite the same way as I have seen some people do.”

Warning: Spoilers ahead.

Katcy Stephan SPOILER ALERT: This interview contains spoilers for all 10 episodes of “Daisy Jones & the Six,” now streaming on Prime Video. “How did we get here? How do we get out?” As Riley Keough’s Daisy belts these words in her band’s last performance, the lyrics from “Look at Us Now (Honeycomb)” take on a whole new meaning in “Daisy Jones & the Six.” A lot has changed since we first met the members of the Six: Billy’s become a father and gotten sober, Karen and Graham have fallen in love and been confronted with an unexpected pregnancy, while Daisy’s just suffered a frightening overdose.

Riley Keough – the first granddaughter of music icon Elvis Presley – was born into fame, but the spotlight on her has reached new highs in the past year, for a myriad of reasons.The star's famous family, particularly her grandfather, was the focus of the award-winning Baz Luhrmann biopic Elvis, starring Austin Butler. Her family received increased attention during press roll-out for the film, as well as, unfortunately, following the January 12th death of her mother Lisa Marie Presley, and the subsequent legal battle over her estate between Riley and Priscilla Presley.Plus, Riley is now the star of Daisy Jones & the Six, the highly-anticipated book-to-television adaptation based on a novel from Taylor Jenkins Reid, which hit Prime Video March 3rd, and its tenth and final episode airs March 24th.WATCH: Lisa Marie Presley's last on-screen interview with daughter Riley KeoughMORE: Riley Keough is uber-glam in feathered robe and knee-high leather bootsWith newfound success and attention, and, sadly, after becoming the sole trustee of her mom's million-dollar estate, Riley's net worth is about to change too.Though she has a reported net worth of $5 million, granted that she gets to remain sole trustee of Lisa Marie's estate – Priscila contested the decision to make her so – it will only become bigger.MORE: Riley Keough shares intimate details of marriage as she gives rare glimpse into relationshipShe and her grandmother have been at odds since Lisa Marie's passing, especially over an amendment she made to her will which made Riley, as opposed to Priscilla and Lisa Marie's former business manager Barry Siegel, the sole trustee.

Maren Morris isn’t backing down.

Prime Video’s hit series “Daisy Jones & the Six” — whose last two episodes about a fictional ’70s band will drop on Friday — while pursuing her own very real music career.A few months before the show premiered atop television and music charts, Waterhouse headlined a 22-night tour, including a sold-out show at New York’s Webster Hall. Bathed in purple light and clad in Saint Laurent spandex pants with a high-necked diaphanous blouse, she sang haunting tracks from her debut album, “I Can’t Let Go,” to an adoring crowd that knew the words.“That was one of the greatest nights of my life,” the glamorous 31-year-old tells Alexa.

Chris Willman Senior Music Writer and Chief Music Critic A cast of mostly Nashville-based stars, including Maren Morris, Paramore’s Hayley Williams, Yola, Sheryl Crow and Jason Isbell — plus one key out-of-towner, the Irishman Hozier — joined up with a host of Tennessee drag artists Monday night in Nashville to protest recent state legislation aimed at cross-dressing performers, trans youth and same-sex marriage. The four-hour “Love Rising” benefit, which filled Nashville’s Bridgestone Arena with fans and LGBTQ+ community members and their allies, was also livestreamed to an international audience via the Veeps platform. No one received more of a hero’s welcome than Morris, who recently went out on a limb by standing up for trans youth and their families in a headline-making online debate with fellow country star Jason Aldean’s wife, Brittany Aldean, while most mainstream stars held their tongues. It was quickly evident that Morris has not turned into any shrinking violet as a result of the backlash she experienced from country fans on the right in the dust-up with the Aldeans, appearing on stage with a touch of androgyny in a look that combined legginess with formal black-tie. Morris performed her crossover hit “The Middle” while drag queen Alexia Noelle Paris accompanied her in an interpretive dance.

Chris Willman Senior Music Writer and Chief Music Critic “Love Rising” is looking to combat the deeply risible. Nashville-based musicians are coming together in a big way — a Bridgestone Arena-sized way — tonight for the show of that name, a benefit concert to raise awareness and funds for the LGBTQ community and its allies in the face of Tennessee legislation that is seen as targeting the rights of gay and trans people generally and drag performers specifically. The generously star-packed show is also being livestreamed internationally via the Veeps platform, with $14.99 tickets available here for a show that begins at 7:30 Nashville time, aka 8:30 ET/5:30 PT. The wide-ranging bill of rock, country, pop, indie and Americana performers includes Paramore’s Hayley Williams, Sheryl Crow, Maren Morris, Brothers Osborne, Jason Isbell, Amanda Shires, Yola, Brittany Howard, Hozier, Adeem the Artist, Julien Baker, Joy Oladokun, Jake Wesley Rogers and Mya Byrne, along with co-organizer Allison Russell. Late additions to the show since it was first announced include a greater contingent of non-binary and, yes, drag artists from Tennessee on top of the nationally known names.

Sam Claflin reflects on making a name for himself as the shirtless hunk in a new interview with GQ Hype.

Sam Claflin is reflecting on his personal life, as well as his career.

Jimi Hendrix and Led Zeppelin as some of her reference points for her characterisation of the title character in Amazon Prime Video’s Daisy Jones And The Six. Keough explained that she looked at men for inspiration for Daisy Jones as she felt like the show’s protagonist was “ahead of her time” for a frontwoman in a band in the 1970s.“I was like, ‘I’m not going to exclusively look at women; I want to look at Led Zeppelin and Jimi Hendrix’. I pulled influence from men because I felt like Daisy was ahead of her time, in terms of how open and how willing she was to go into a space and be confident.

Call the Midwife and Sanditon are back, while the Versailles-set Marie Antoinette makes it debut. It's the perfect way to spend your Sunday evening and will only get you more excited for the in May, followed by .Speaking of charming British characters, Ted Lasso airs its second episode this Wednesday. After last week's episode (my heart sank for Ted in the final few minutes), the show keeps raising the stakes and I'm loving it.Meanwhile, is back for an epic season two adventure while Daisy Jones & the Six wraps up its run, giving you all the answers you want to know.

Riley Keough shared what it was like for her to receive the Caméra d’or prize for her directorial debut in War Pony at the 2022 Cannes Film Festival.

Marcus Mumford and Maren Morris have covered ‘Look at Us Now (Honeycomb)’, a song from new TV show Daisy Jones & The Six.The song is sung by stars Riley Keough and Sam Claflin in the Amazon Prime Video show, but it was co-written by Mumford and Grammy-winning producer Blake Mills.Mumford and Morris have now covered the song for Amazon Music, with Mumford explaining: “Blake and I wrote ‘Look at Us Now (Honeycomb)’ together – with a bit of help – about a year and a half ago for Daisy Jones & The Six.“This time around, we stripped the song right back down to acoustic guitar and a vocal – which is how it was written – and then kind of built it back up from there until we landed on an arrangement that we liked.“I’ve been a fan of Maren for a long time – both her solo music and her work with The Highwomen – and this duet needed a voice like hers. We’re just honestly so thankful she agreed to do it.”Morris added: “Shows depicting the reality of what it takes to become a band or what it’s really like touring can so often get it wrong.

There might be a “Daisy Jones & The Six” tour at some point in the near future.

now streaming on Prime Video, audiences are finally catching up on the TV version of author Taylor Jenkins Reid's riveting story about a 1970s band modeled after Fleetwood Mac that struggles to come together before making magic in the recording studio and enthralling fans with their presence on tour. But just as the group becomes one of the biggest acts in the world, it all falls apart. As captivating as the emotional journey is, it's the ensemble cast, who spent months together rehearsing and essentially becoming a real-life band, that makes the series shine. And while Camila Morrone is not one of the performers, she's easily one the show's biggest breakout stars.Prior to, the Hollywood-born 25-year-old actress made a name for herself with a few indie films, after first appearing in James Franco's.