Post-COVID Cannes Film Festival Rejects Notion That Cinema Must Return to ‘Normal’ (Opinion)
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variety.comPeter Debruge Chief Film CriticFor all those hoping that the in-person 2021 edition of the Cannes Film Festival would mark a return to “normal,” the winner of this year’s Palme d’Or must have been a shocker — not the choice by Spike Lee’s jury (the choice was solid) so much as the movie itself: “Titane,” a radical queer take on the monster movie that bends the rules of genre, gender and gore.That this punk sensation was directed by a woman (only the second to win the Palme, after “The Piano” helmer Jane Campion, who tied for the prize in 1993) suggests that things really have changed during the turbulent year of the pandemic, as Cannes signaled many fresh possibilities — a diversity of style and storytellers alike — while underscoring the.
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