With movies, as with marriages, it’s always best to dwell on the best moments: Cringing at Get Out, convulsing at Borat, wiping tears at A Dog’s Journey.
As a confirmed ticket buyer, I’ll never forget seeing Parasite with a mostly Korean audience, hearing their laughs at jokes I’d missed.But with 2020 almost behind us (gratefully), journalists are supposed to reflect on the “big trends” and mine is one of regret: I have concluded that I don’t miss movie theaters anymore.
I am resigned to the fact that the plexes and the Landmark Theaters have become part of my past.That admission is a relief in some ways, but also a source of alarm.
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