When Barbra Streisand delivered her 992-page memoir to her editor at Viking earlier this year, did anyone urge her to cut? Even gently?
Not that it would have done any good, for Streisand has a lot to say and her opus was termed “exhausting, ecstatic and undeniably moving” by the New Yorker this week.
Streisand hasn’t changed. On her first day of shooting On a Clear Day You Can See Forever (1970), when her director Vincente Minnelli shouted “cut,” she shook her head, saying she intended to keep going.
Minnelli had made great movies like An American In Paris and Gigi and had even survived working with (and being married to) Judy Garland. “One doesn’t say ‘no’ to Minnelli,” Streisand was warned by legendary writer Alan Jay Lerner (My Fair Lady).
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