Rupert Friend: Last News

Yesterday, we got the first poster for the upcoming comedy audaciously titled “The American Society Of Magical Negroes,” and today, the trailer has arrived. A movie that will debut at Sundance of next year, leave it to a Sundance indie to be this bold and outrageous.

After earning rave reviews after its recent Venice premiere, “Memory” (read our review here) has become one of the most buzzed-about films of the festival season. And it made people anxious to see whether or not Jessica Chastain would reteam with director Michel Franco in the future.

Wes Anderson fans were surprised when the filmmaker revealed earlier this summer that his upcoming Netflix project “The Wonderful Story Of Henry Sugar” is only 37 minutes long. But there’s a good reason for its short length.

Wes Anderson fans were surprised when the filmmaker revealed earlier this summer that his upcoming Netflix project “The Wonderful Story Of Henry Sugar” is only 37 minutes long. But there’s a good reason for its short length.

Wes Anderson fans were surprised when the filmmaker revealed earlier this summer that his upcoming Netflix project “The Wonderful Story Of Henry Sugar” is only 37 minutes long. But there’s a good reason for its short length.

When people think of the desert of Southern California, they often think of Palm Springs with its grand mid century mansions, replete with sleek breeze blocks, teal atomic doors, and pool parties that go all night as the palm trees sway against the mountain landscape. It’s in this kind of idyllic space where we first meet Peggy (Patricia Arquette, “Severance”), in her desert finery hosting a Thanksgiving party for her extended family.

Patricia Arquette and Ben Stiller already have something good going on at Apple TV+ with “Severance.” Will they catch lightning in a bottle twice with “High Desert“? Arquette stars in the dark comedy series, set for a premiere next month, about a down-and-out addict who decides to become a private investigator. Both her and Stiller serve as executive producers on the series.

Following the first trailer for Disney Plus' new Star Wars series Obi-Wan Kenobi, Ewan McGregor's Jedi character has graced the cover of the final Entertainment Weekly print cover.The 50-year-old actor is seen in his iconic Jedi robes wielding his blue lightsaber as Obi-Wan Kenobi on the cover of the April print issue, which will be the last before EW switches to an all-digital format.McGregor also revealed new details about his character in the series, set 10 years after the events of the 2005 prequel Star Wars: Episode III - Revenge of the Sith. Cover:Following the first trailer for Disney Plus' new Star Wars series Obi-Wan Kenobi, Ewan McGregor's Jedi character has graced the cover of the final Entertainment Weekly print cover New details:McGregor also revealed new details about his character in the series, set 10 years after the events of the 2005 prequel Star Wars: Episode III - Revenge of the SithThe trailer didn't show much of the title character, aside from him keeping a close eye on the young Luke Skywalker on the desert planet of Tatooine.McGregor revealed to EW, 'We find Obi-Wan at the beginning of our story rather broken, and faithless, and beaten, somewhat given up.' The trailer also gives fans a glimpse at the Grand Inquisitor, played by Rupert Friend, who appears for the first time in a live-action series after Jason Isaacs voiced him in the animated series Star Wars Rebels.

Are you familiar with the phrase, “The rich get richer?” Well, in the case of Wes Anderson, that is most definitely the case. With every new film project the director works on, he brings in more and more big-name actors to join his ever-growing troupe.

There have been all sorts of haunted house horror films in recent years, thanks to the popularity of franchises like “The Conjuring” and “Insidious.” But perhaps there hasn’t been a recent horror film dealing with such a personal haunting as seen in “Separation.” READ MORE: ‘In The Earth’ Trailer: Ben Wheatley Returns To His Roots In New Pandemic Horror Film Feuds between spouses can be brutal, especially if there are children involved.