Eugene Rachkovsky: Last News

Lise Pedersen “The Days I Would Like to Forget” by Ukrainian film collective Tabor, which picked up the top industry award at international documentary festival Visions du Réel, is a trilogy project that examines the consequences of war. It is directed by Alina Gorlova (“No Obvious Signs,” “This Rain Will Never Stop”), Maksym Nakonechnyi (“Butterfly Vision,” “This Rain Will Never Stop”), Simon Mozgovyi (“Salt From Bonneville,” “The Winter Garden’s Tale”) and Yelizaveta Smith (“Solitude,” “Butterfly Vision”), who have been working together and documenting the war in their country for close to a decade. The project is divided into three 70-minute chapters: “Human & War,” which examines the impact of war on everyday life, “Death & Life,” which focuses on the perception of death during the Russian-Ukrainian war, and “Space & Time,” which investigates the link between the war in Ukraine and other parts of the world.

Lise Pedersen A group of Ukrainian filmmakers have won the top industry award at Swiss international documentary film festival Visions du Réel with their project “The Days I Would Like to Forget,” divided into three chapters, each of which will explore a different phenomenon of war. Filmmakers Alina Gorlova (“No Obvious Signs,” “This Rain Will Never Stop”), Maksym Nakonechnyi (“Butterfly Vision,” “This Rain Will Never Stop”), Simon Mozgovyi (“Salt from Bonneville,” “The Winter Garden’s Tale”) and Yelizaveta Smith (“Solitude,” “Butterfly Vision”) of independent Ukrainian production company Tabor were awarded the Vision du Sud Est prize, handed out to the best project from the South (Africa, Latin America and Asia) or Eastern Europe.

Patrick Frater Asia Bureau ChiefThe Cannes Film Marché has unveiled the full lineup of its Ukraine in Focus program which will provide Ukrainian filmmakers and producers with networking, pitching and co-financing opportunities over two days during the Cannes Film Festival, on May 21 and 22.Under the program, key market initiatives such as Goes to Cannes, Cannes Docs Showcase and the Producers Network will be skewed towards projects and executives from Ukraine in order to support the country which was invaded by Russia on Feb. 24 and has been at war since then.