Elisa Puerto Aubel: Last News

Holly Jones Continuing its quest to promote and center women in genre cinema, Sitges will hold its annual networking, scholarship, and conference strand, WomanInFan, which head of the industry department, Patricia Salvatierra declared “is growing by leaps and bounds.” The events take place over Oct. 6-8, as part of the Sitges International Fantastic Film Festival of Catalonia, unspooling Oct.

John Hopewell Chief International CorrespondentFollowing on “Huesera,” a double Tribeca winner, Mexico’s Machete, headed by Edher Campos, is returning to female filmmaker social issue genre with “Cachorra,” a darkly humoured horror thriller set on the Mexico-U.S. desert border.The feature debut of Madrid-based genre scribe and consultant Elisa Puerto Aubel, who penned Sitges Audience Award winner.  “La venganza de Jairo,” “Cachorra” is one of the newest additions to a five movie 2002-23 slate at Machete, producer of Cannes Festival winners “Leap Year” and “La Jaula de Oro.” It forms part of a robust lineup at this week’s Sanfic-Mórbido Lab, which packs many of Sanfic Industria’s most commercial propositions, All of Machete’s films, three now in post-production, carry social point.

John Hopewell Chief International Correspondent“History of the Occult” director Cristian Ponce, “The Trace We Leave Behind” producer André Pereira and “Huesera” producer Edher Campos all have projects at the 3rd Sanfic Morbido Lab, Sanfic’s genre/fantastic film showcase which looks packed with riches.Also noticeable, three of the six projects are set to be directed by female genre auteurs –  Argentina’s Laura Sánchez Acosta, Spain’s Marta Medina del Valle and French-Spanish screenwriter Elisa Puerto Aubel – as women create an ever larger number of the most exciting elevated genre movies coming out of Spain and Latin America.Appropriately enough, given Sanfic takes place in Santiago de Chile, Chile accounts for two projects at the Lab, Daniel Aspillaga’s “Plasma,” a part body horror mockumentary, and Cristián Grez Donoso’s “Magic Word,” turning on an aged and crazed former amusement park actor. The potential impact of projects is underscored by recent events.