Egon Schiele: Last News

Anna Marie de la Fuente Academy Award-winning producer Daniel Dreifuss (“All Quiet on the Western Front”) has boarded “Red Men,” the latest feature from Mexico’s Hari Sama, best known for his lauded autobiographical pic “This is not Berlin,” which world premiered at Sundance in 2019. Described as an “edgy and provocative coming-of-age story” about the life of Austrian expressionist painter Egon Schiele, “Red Men” hones in on Schiele’s role in reshaping European aesthetics through his intimate relationship with lover and muse, Dominik Van Osen.

Ben Croll This week’s Unifrance Rendez-Vous in Paris will kick off with the Tuesday night world premiere of Pascal Bonitzer’s “Auction” – a ripped-from-the-headlines ensemble drama set in the crosshairs of high art and high finance. Produced by SBS Productions (“Last Summer,” “Elle”) and sold by Pyramide International, the art-world saga follows – among others – a hotshot auctioneer (Alex Lutz, “Vortex”), his less-than-reliable assistant (Louise Chevillotte, “Benedetta”), and the working class bloke (Arcadi Radeff, “Passages”) who sets the narrative in motion upon realizing that his erstwhile innocuous wall art bears the signature of Egon Schiele.

Murtada Elfadl Willem Dafoe defies classification. He appears in blockbusters and arthouse films, in lead roles or as part of an ensemble. What can be counted on is that he’ll add a dash of idiosyncratic malevolence to whatever part he’s playing. Whether he’s playing Christ, Antichrist or somewhere in between, there’s always something slightly off that makes him watchable. In “Inside,” director Vasilis Katsoupis provides him with a showcase part in what is essentially a one-man show that Dafoe carries with aplomb. Dafoe’s character is an art thief named Nemo. He is first shown breaking into a high-tech Manhattan apartment. He’s connected to someone on the outside via microphone. It’s clear they hacked into the apartment’s security system. The camera slowly reveals the apartment as an expensive and impeccably designed but sterile abode. Its colors are monochromatic in a mostly bluish hue, there’s an indoor pond and plants that look plastic. The few pops of color come from the art on the walls. Nemo’s there to steal a valuable Egon Schiele portrait which he can’t immediately locate. As he looks around the vast space, inspecting the many pieces of art, the security system malfunctions. He’s trapped inside this gilded cage. Before long he realizes that his cohorts are not coming to save him. Nor is anyone else. He’s on his own.

combining porn and art. Amid increased social media crackdowns on risqué museum imagery, Vienna’s tourism board has devised a way to circumvent censorship of more explicit artworks — by putting it on OnlyFans.