Claire Mathon: Last News

Jessica Kiang Marking a welcome re-embrace of the streamlined murdery perversities of his terrific “Stranger by the Lake,” Alain Guiraudie gives the Cannes Premiere section one of its darkly sparkling standouts with the unsettlingly offbeat “Misericordia.” In the director’s best work, Guiraudie’s trademark is to infuse genre dalliances with mordant wit and a deliciously peculiar, defiant queerness. And while it may initially appear to be straightforward — and while it thankfully avoids the wild tonal swings of muddy tragicomedy “Staying Vertical” (2016) and rather baffling terrorism sex-farce “Nobody’s Hero” (2022) — nobody could ever accuse this increasingly twisted psychodrama of playing it straight.

Leo Barraclough International Features Editor Beta Cinema has boarded international sales on “Not a Word,” which will have its world premiere at the Toronto Film Festival in the competitive Platform section. The cast is led by Maren Eggert, who won the best acting award at the Berlin Film Festival for “I’m Your Man.” The film is written and directed by Hanna Slak, whose credits include the Slovenian Oscar entry “The Miner,” and was lensed by Claire Mathon, the cinematographer of “Portrait of a Lady on Fire,” “Saint-Omer,” “Stranger by the Lake” and “Spencer.” Eggert plays ambitious musician and conductor Nina.

Jessica Kiang In 2016, in the courtroom of Saint-Omer, a small, untouristed town off a D-road between Calais and Lille, the trial took place of a young Senegalese Frenchwoman accused of murdering her baby: an act so utterly antithetical to accepted ideas of motherhood and womanhood that it is inescapably considered the “worst of all possible crimes.” The woman, a PhD student with a reported genius IQ and a flair for flamboyantly intellectual French, confessed but claimed sorcery as the real culprit. It’s the kind of true story that presents an obvious opportunity for a sensitive social drama given to sober, sorrowfully objective observations about the perilous, tumbling vortex of class, gender, ethnic and cultural issues in which it plays out. “Saint Omer,” the deceptively austere, extraordinarily multifaceted fiction debut from documentarian Alice Diop, is not that film. 

Kristen Stewart makes a casual arrival for her Spencer conversation held at 92Y in New York City on Friday (March 11).