‘Napoleon’ World Premiere: Watch Ridley Scott Introduce His Historical Epic; Vanessa Kirby & Sony’s Tom Rothman Share Post-Strike Thoughts On Red Carpet

Ridley Scott has fired back at French film critics after they published a series of negative reviews of his new biopic, Napoleon.Despite receiving generally positive reviews by UK critics, several high-profile French publications have been less kind, with French GQ saying it was “deeply clumsy, unnatural and unintentionally funny”, while Le Figaro likened it to “Barbie and Ken under the Empire”.In an interview with the BBC, Scott retorted: “The French don’t even like themselves”.“The audience that I showed it to in Paris, they loved it.”Joaquin Phoenix plays Napoleon Bonaparte in the film, which hits UK cinemas on Wednesday (November 22). It follows the French leader’s rise to power and his relationship with Empress Joséphine (Vanessa Kirby). Other cast members include Tahar Rahim, Ben Miles and Rupert Everett.It is not the first time that Scott has made headlines during the promotion for Napoleon.

Ridley Scott is a man who has earned the right to be a bit… brash with his comments. This is a right given to someone who has created multiple iconic films over the course of his career, literally inspiring generations of filmmakers with works like “Alien” and “Blade Runner.” So, when critics start taking him to task because of “Napoleon,” he clearly couldn’t care less.

Zack Sharf Digital News Director Ridley Scott is shrugging off the negative reviews coming out of France for his new historical epic “Napoleon,” which stars Joaquin Phoenix as the infamous French emperor and Vanessa Kirby as his wife, Joséphine de Beauharnais. Reviews are all over the place for the biographical drama.

Ridley Scott has been typically dismissive of critics taking issue with his forthcoming movie Napoleon, particularly French ones.

Will Tizard Contributor Recreating epic battle scenes was just part of the challenge in filming “Napoleon” with director Ridley Scott, says Polish-born cinematographer Dariusz Wolski, who screened the grand-scale biopic at the Camerimage cinematography festival in Poland on Friday. Getting the realism needed to capture the vast brutality of the Battle of Austerlitz or Waterloo, says Wolski, depends on exhaustive planning and coordination, of course, but also some impressive juggling.

Ridley Scott’s Napoleon marches into cinematic battle with the bluster and confidence that comes with a reported $200-million budget and Sir Ridley’s decades-deep track record of well-mounted action epics.All that money and prestige is visible onscreen in the film’s far-flung locations, hundreds of extras, delectable period costumes and decor, and, as advertised, several massively-scaled scenes of battle, on land and sea, circa 1789 to 1815.Legions of infantry and cavalry clash on various rolling hills of Europe, shot in icy, desaturated blues and grays by Dariusz Wolski, Scott’s cinematographer on his last nine films (though not his next one, Gladiator 2, being lensed by Gladiator d.p. John Mathieson).Against vast fields of green or snow-covered grasses, and CGI-enhanced masses of combatants, soldiers’ coats flash a red that’s many shades brighter than the blood that flows and bursts violently across the screen.The filmmakers spare no visual detail in depicting the bodily devastation of hand-to-hand armed combat — death by bayonet, point-blank gunfire, horse hooves, or long-range artillery.Death here is bloody, disgusting, and woefully unnecessary, but it’s also the main currency of war, and this movie revels in the loud, explosive spectacle of war far more enthusiastically than it casts its feebly critical eye at the men who clamor for it.Above all else, the film renders tribute to Napoleon Bonaparte, portrayed by Oscar-winner Joaquin Phoenix as a shrewd but coarse, fearless, petulant, glowering egomaniac who rises to imperial power fighting and winning wars.

EXCLUSIVE: Getting a leg-up here on our Thanksgiving stretch preview, Apple Studios production of Ridley Scott’s Napoleon will invade the global box office via Sony this Wednesday, in what’s shaping up to be a $46M WW global start.

Joaquin Phoenix and Rooney Mara are stepping out for the night.

To the surprise of no one, eternal curmudgeon Ridley Scott doesn’t buy into the superhero movie hype. In a new interview with Deadline, the director said he isn’t “a superhero fan” and has “been offered” to make several but always turns them down.

Joaquin Phoenix reportedly “walked out” of the premiere of his new film Napoleon earlier this week.The historical drama stars Joaquin Phoenix in the titular role as Napoleon Bonaparte, the military mastermind and Emperor of France. It spans 32 years from the outbreak of the French Revolution in 1789 to Napoleon’s death on St Helena in 1821, and explores significant battles as well as the romantic turmoil with his wife Joséphine de Beauharnais.Phoenix was spotted walking out of the film’s premiere in Paris on Tuesday (November 14) before it started.

Patrick Frater Asia Bureau Chief The Ridley Scott-directed historical epic “Napoleon” is set to get a release in mainland Chinese theaters next month. The Apple Original Films and Sony Pictures’ title has received approval for import into China and release in a Dec. 1 slot, Sony said on Thursday. Per a Sony synopsis, the film “details the checkered rise and fall of the iconic French Emperor Napoleon Bonaparte, played by Oscar-winner Joaquin Phoenix.

Apple Original Films and Sony Pictures’ Ridley Scott-directed action epic Napoleon has landed a theatrical release date in China of Dec. 1.

Joaquin Phoenix and Vanessa Kirby are stepping out for the UK premiere of their new movies.

2024 is a big year for the “Alien” franchise, with Fede Álvarez‘s “Alien: Romulus” hitting theaters on August 16, 2024. But what about Noah Hawley‘s long-gestating “Alien” TV series for FX? Not according to TheWrap, with Hawley telling the outlet that show will air “somewhere in the in the first half of [2025],” given strike-related delays.

It will come as a surprise to absolutely no one that the reunion of director Ridley Scott and “Napoleon’s” leading man, Joaquin Phoenix, is a rich, layered, and satisfying offering. There is alchemy at work that transfixes the audience as much as any of the epic battle sequences.  Directed and produced by Scott, “Napoleon” is based on the true story of Napoleon Bonaparte, played by Phoenix.

Peter Debruge Chief Film Critic A chyron that appears at the end of “Napoleon,” after two and a half hours of turgid spectacle and grime-encrusted showmanship, informs that France’s self-anointed emperor oversaw 61 battles, listing the six that director Ridley Scott opted to stage for our benefit … or for his own glory. The director’s motives are unclear, much like those of Napoleon Bonaparte as played by Joaquin Phoenix, who gives a mumbly and oddly anti-charismatic performance as the figure — short, slender and something of an outsider, owing to his Corsican birth — who came to rule France after the revolution.

Excusez-moi?Earlier, when the strategic genius is frustrated by rival Britain’s naval might, he whines like a little boy who’s been bullied at recess, “You think you’re so great because you have boats!”Depicting one of the most consequential figures in all of European history as a sourpuss clown who crazily rattles off nonsense is a brow-raising choice by Scott, screenwriter David Scarpa and the always peculiar Phoenix.After all, a person can’t very well forge a half-million-square-mile, multi-continental empire by being a total moron.But that’s what this Napoleon is — a fool. Viewers spend most of the two and a half hours (Scott says his Apple TV+ cut will be a merciless four) laughing mockingly at the guy who commissioned the Napoleonic Code.

There are ghosts on and off the screen in Ridley Scott’s 28th feature, chief among them being Stanley Kubrick’s unrealized biopic of Napoleon Bonaparte, the Corsican military strategist who inveigled his way up through the ranks of the military to become the leader of France not once but twice. That at the age of nearly 86 Scott has stepped up to finish what Kubrick couldn’t is something the British director will no doubt relish. But though his take on the story is his own, there’s still something elusive about Bonaparte’s story that doesn’t make a coherent whole: as is consistent with history, Scott’s Napoleon is a lover and a fighter, an incongruity that leads to sharp changes in tone and a restlessly episodic narrative that can be overwhelming in its dates, names and places.

Joaquin Phoenix has the support of his real-life partner Rooney Mara at the premiere of his new film Napoleon, though they skipped the red carpet photo op.

Elsa Keslassy International Correspondent Holding the world premiere of Ridley Scott‘s “Napoleon” in Paris was a no-brainer for Sony Pictures’ chairman Tom Rothman, due to the film’s French DNA and its subject, the famous French emperor (played by Joaquin Phoenix). “Where else could you begin the worldwide rollout of ‘Napoleon’ than France?,” said Rothman on the red carpet of the event at the Salle Pleyel concert hall, where Phoenix, Vanessa Kirby and Tahar Rahim were able to attend thanks to the end of the 118-day SAG-AFTRA strike. But the French theatrical bow comes with a downside for Apple, which financed the pricey movie and will now have to wait 17 months to launch the movie on its service due to France’s strict windowing rules.

EXCLUSIVE: Ridley Scott unveils Napoleon today at a lavish world premiere in the 2,500-seat Salle Pleyel concert hall in Paris. He is 85 but seems ageless, and Scott is already plotting to quickly resume production on Gladiator, the second installment of his film that won five Oscars including Best Picture. He’s got 90 minutes of footage, fully edited, and needs that much more. He expects to be shooting within two weeks, and he’s already got his next movie slated for around March. Though he is keeping the details to himself, he acknowledged it’s period, with a script like perfectly distilled liquor, and two stars ready to join him in what he said is a bucket list project for him.