On this two-disc set, the singer has come up with a magnificent, multi-genre mess that, for all its sprawl, stands as one of the year's boldest and best albums.
By A.D. Amorosi Solitude and isolation aren’t just concepts for those paralyzed by COVID-19. The musical art of seclusion is a pop subsection all its own.
From 1958’s “Frank Sinatra Sings for Only the Lonely” to Tyler, the Creator’s sad-eyed “Boredom,” to be forsaken is tantamount to being adored, and with it, the glad-to-be unhappy aesthetic is a self-fulfilling prophecy.
Moses Sumney is the master of this sort-of forlorn epic, and getting better at it all the time, judging from the trajectory between his last album, 2017’s warm “Aromanticism,” and this week’s icy “Græ,” a
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