Owen Gleiberman Chief Film Critic “McVeigh,” a drama about Timothy McVeigh and the 1995 bombing of the Alfred P. Murrah Federal Building in Oklahoma City, is a movie rooted in the forlorn underbelly of small-town American rage.
A car snakes its way along an empty road in the desolate dusk. Men nursing cheap beers sit around in roadside bars, strips clubs, or living rooms with ugly wood paneling.
And Tim (Alfie Allen), an impassive loner whose scraggly beard is an outgrowth of his not bothering to shave, sits behind his table at a gun show, hawking $2 bumper stickers that say “When guns are outlawed, I will become an outlaw.” At home, he points a weapon at the TV set, like Travis Bickle, miming the execution of the U.S.
Attorney General Janet Reno as she testifies at hearings about the FBI siege of the Branch Davidian compound in Waco. Tim also travels to an Arkansas prison to visit Richard Wayne Snell (Tracy Letts), a white supremacist who is about be executed for a pair of homicides, both racially motivated.
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