Martin Scorsese Tests His Knowledge of Gen Z Slang - Does He Know What 'Sneaky Link' Means?

Rebecca Rubin Film and Media Reporter It’s Scorsese vs. Swift at the box office. Martin Scorsese’s star-studded crime epic “Killers of the Flower Moon,” this weekend’s only new nationwide release, is targeting $20 million to $30 million from its debut in 3,621 North American theaters.

Timothée Chalamet is the newest GQ cover star. For the occasion, the magazine got the “Dune” star to sit down with legendary director Martin Scorsese for an epic conversation.

Zack Sharf Digital News Director The version of “Killers of the Flower Moon” that is opening in theaters this weekend is far different from the “Killers of the Flower Moon” that director Martin Scorsese first attempted to bring to the big screen. Originally, Scorsese and co-writer Eric Roth planned to more faithfully adapt David Grann’s 2017 book of the same name and wrote a script from the perspective of the FBI agents who investigated a string of murders among the Osage Nation in the 1920s. Scorsese recently told BFI’s Sight & Sound magazine that this first script “was going to take four-and-a-half hours just to read it.” “Our script was over two hundred pages,” he also confirmed to The New Yorker about the original “Flower Moon” screenplay.

In the lead-up to its theatrical release, Martin Scorsese spoke candidly about how he re-wrote “Killers Of The Flower Moon” with Eric Roth to focus more on the Indigenous perspective of the events the film depicts. “After a certain point, I realized I was making a movie about all the white guys,” Scorsese explained to Time Magazine last month.

One of the biggest movie events of the year is almost here: Martin Scorsese‘s “Killers Of The Flower Moon” hits theaters this Friday. And to keep the hype machine humming and turning, Apple Original Films has a final trailer for Scorsese’s film, with all-new scenes not seen in previous previews.

Martin Scorsese was two years into writing the script for Killers Of The Flower Moon when Leonardo DiCaprio requested an overhaul, the filmmaker has revealed.Speaking to The Irish Times, Scorsese revealed that he had been working on the upcoming true crime film’s script for two years when Leonardo DiCaprio read it and asked for it to be reworked.Killers Of The Flower Moon is based on a series of murders in the Osage tribe in 1920s Oklahoma and stars Leonardo DiCaprio, Robert De Niro, Jesse Plemons, Lily Gladstone and Brendan Fraser.While the film is now being told from the perspective of the Osage tribe, that wasn’t always the case. According to Scorsese, the film’s original script was told “from the point of view of the bureau agents coming in to investigate”, which prompted DiCaprio’s issue with the script.Scorsese explained: “Leo came to me and asked, ‘Where is the heart of this story?’ I had had meetings and dinners with the Osage, and I thought, Well, there’s the story.

Martin Scorsese is set to executive produce the next movie from director Julian Schnabel, “In The Hand of Dante,” based on Nick Tosches‘ novel. It’s a feature that focuses on New York mobsters getting their hands on a manuscript of Dante’s “The Divine Comedy,” which would be considered one of the most rare and valuable pieces of art in existence.

Zack Sharf Digital News Director Martin Scorsese and Leonardo DiCaprio have been quite open in interviews when discussing the massive “Killers of the Flower Moon” script overhaul that took place during the film’s development. In a new interview with The Irish Times, the director revealed that he and co-writer Eric Roth had been working on the “Flower Moon” script for two whole years when DiCaprio took issue with the approach.

the notoriously long “The Irishman.” Runtime, of course, was the at-home audience’s No. 1 beef with the Netflix gangster flick.

Clayton Davis Senior Awards Editor Guess how many times cinema legends Martin Scorsese and Steven Spielberg have gone head-to-head at the Oscars? With 37 nominations between them and five decades of indelible classics, such as the gangster epic “Casino” (1995) and the shark thriller “Jaws” (1975), you might assume at least half a dozen ceremonies have seen both auteurs prominently recognized. Read: Variety’s Awards Circuit for the latest Oscars predictions in all categories. Well, guess again.

Martin Scorsese has said the simultaneous release of Barbie and Oppenheimer was a “wonderful” thing for cinema.The director discussed the “Barbenheimer” phenomena during an interview with the Hindustan Times, saying that it offered “hope” for a different kind of film landscape.“I do think that combination of Oppenheimer and Barbie was something special,” Scorsese said. “It seemed to be, I hate that word, but the perfect storm.

Zack Sharf Digital News Director Martin Scorsese has not seen Greta Gerwig’s “Barbie” or Christopher Nolan’s “Oppenheimer,” but that didn’t stop him from celebrating the “Barbenheimer” phenomenon during a recent interview with the Hindustan Times. Scorsese himself has ties to “Barbie,” as it stars and was produced by his “Wolf of Wall Street” breakout Margot Robbie and shot by his longtime cinematographer Rodrigo Prieto. The latter filmed “Barbie” after wrapping up work on Scorsese’s own “Killers of the Flower Moon.” “I do think that the combination of ‘Oppenheimer’ and ‘Barbie’ was something special,” Scorsese said.

This year, we’ve seen quite a bit of talk regarding run times of films. It started earlier this year when people were concerned by the 3-hour length of Christopher Nolan’s “Oppenheimer.” Obviously, that film ended up doing just fine at the box office.

Steven Gaydos Executive VP of Content By the time Martin Scorsese‘s music documentary “The Last Waltz” premiered in 1978, the legendary Americana music progenitors the Band, whom the film explores, had gone from “Cahoots” to kaput for two years. The 1976 farewell concert at the center of the film was already a piece of rock and roll history by the time the film debuted.

Martin Scorsese has encouraged young filmmakers to “reinvent” cinema with technology, emphasising the difference between film experiences and “content”.The director discussed the future of cinema during a Screen Talk with host Edgar Wright on Saturday (October 7) at the BFI’s London Film Festival. The talk encompassed Scorsese’s entire career, from his 1974 breakthrough film Mean Streets to his latest collaboration with Robert De Niro and Leonardo DiCaprio, Killers Of The Flower Moon.When asked about his views on the film industry today, after having frequently denounced franchise films like Marvel in the past, Scorsese said its up to filmmakers and audiences to decide what the future of cinema will be.“I didn’t want to be the last line of defence,” Scorsese joked. “I honestly think it’s thrown back now on all of you.

Ellise Shafer Martin Scorsese said the entertainment industry is in a “period of reinventing” cinema during his Screen Talk at the BFI London Film Festival on Saturday, urging young filmmakers to use new technology for good as opposed to making “content.” When asked by director Edgar Wright about becoming somewhat of a spokesperson for the current state of cinema, Scorsese laughed and said, “I didn’t want to be the last line of defense.” “I honestly think it’s thrown back now with all of you. And I really mean this: I don’t know where cinema is going to go,” Scorsese continued.

Southbank Centre’s Royal Festival Hall irrupted into a flurry of cheers this afternoon as filmmaker Martin Scorsese strolled on stage to take part in a career Q&A at the London Film Festival. 

“We’re very proud of this movie,” Julie O’Keefe, Osage clothing consultant on Killers of the Flower Moon, said of the response to Martin Scorsese’s latest feature from the Native American community.

Oscar winner Spike Lee has shared some thoughts about two of the highest-profile movie titles of 2023, Christopher Nolan’s Oppenheimer and Martin Scorsese’s upcoming Killers of the Flower Moon.

Clayton Davis Senior Awards Editor It took about 100 days to shoot “Killers of the Flower Moon,” according to director Martin Scorsese and producer Daniel Lupi. That came after an extensive script rewrite, multiple interruptions due to COVID-19 and doing everything they could to ensure justice was done to the story.

Martin Scorcese has featured again on his daughter Francesca’s TikTok account, this time revealing the exact moment he realised The King Of Comedy was deemed unsuccessful.READ MORE: Martin Scorsese almost quit Hollywood after ‘Gangs Of New York’The TikTok video shows Scorcese trying to guess various Gen-Z slang. When quizzed on the phrase “slept on” his daughter helped him out by using it in a sentence, saying, “The King Of Comedy was slept on.”She was referring to the 1982 movie starring Robert De Niro, in which a sociopathic stand-up comedian carries out a series of disturbing acts to try and achieve fame and success.Scorcese agreed with his daughter and said, “People hated it when it came out.”Despite a generally positive reception from critics, the movie made a significant loss at the box office, making just $2.5million from a budget of almost $20million.However it was not a wholly unsuccessful venture, as Scorcese did receive a nomination for the BAFTA award for Best Direction at the 1984 ceremony, losing out to Bill Forsyth for Local Hero.Having clearly not forgotten the criticism, Scorcese then recalled the precise moment he knew that it was “the flop of the year.” He said, “That’s what it was called on Entertainment Tonight, New Year’s Eve ’83-’84.”Reflecting on making the movie in a previous interview with Vanity Fair from 2015, Scorsese said, “[The King of Comedy] is about a certain aspect of our culture, and also about not taking yourself too seriously, even though I do.