Owen Gleiberman Chief Film CriticThere’s a spectacular contradiction at the heart of art forgery. Forgeries, which pretend to be paintings by timeless artists, hang in museums all over the world; there are more of them than anyone knows, all hiding in plain sight.
When a case of forgery comes to light, it tends to be greeted with moral outrage. The act of imitating a famous artist’s work, and profiting off it, is seen as a sleazy low-life con, as well as a major crime (which, of course, it is).
Yet art forgery isn’t just about the eye candy of duplicity and profit. As Orson Welles caught in his jump-cut meditation “F for Fake” (1973), there’s a fantasy behind it: What if you had the daring, and the talent, to produce a fake work of art so.
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