Marta Balaga Final Cut, a workshop supporting films in post-production from African and Arab countries – launched by the Venice Film Festival’s industry section, Venice Production Bridge – celebrates its 10th anniversary this week. Its goals have remained the same, however, as it continues to provide emerging filmmakers with concrete assistance as well as visibility, all the while strengthening Venice’s role as “bridge builder,” says Alessandra Speciale, its curator. The final selection features titles made by directors from nine different countries: Algeria, Jordan, Guinea, Egypt, Lebanon, Morocco, Palestine, Central African Republic and Tunisia.
