‘Last Night In Soho’ Director Edgar Wright Asks Venice Audiences Not To Reveal Spoilers

Russian Doll airs this spring and Netflix has released a series of images from the time-looping dark comedy – check them out below.Set four years after the events of the first season which saw Nadia (Natasha Lyonne) and Alan (Charlie Barnett) eventually escape a Groundhog Day-style time loop, the new season of Russian Doll will follow the pair as they pass through an unexpected time portal located in Manhattan — causing both to face their pasts.Speaking to Entertainment Weekly, Lyonne (who also co-created the show) said: “It’s definitely a wild ride. It is deep, and deeply off-the-wall.

Strictly Come Dancing. Just as people were gearing up to watch her and her pro-partner Kai Widdrington dance together in the final, viewers across the nation were delivered a hard blow.The 33-year-old explained to fans that she'd suffered a "traumatic impact injury" to her right ankle which had affected the joint and ligaments.It all came out of the blue for AJ - who explained nothing had specifically happened in training that would have caused the pain to occur.Here, Daily Star explores what happened next to poor AJ.After a weekend of training, AJ knew something had not been right with her right ankle and sought medical intervention.Sharing a picture of herself with a bandage covering her foot while holding crutches, she explained: "I've got a repeated traumatic impact injury to my right ankle affecting the joint, capsule and ligaments themselves.

David Moyes saying that it could be a possibility.The organisation have said that they are still looking into the player - and that they have not received so far a donation from West Ham, who fined Zouma £250,000 and said that they would be sending an amount the charity’s way.The 27-year-old still could face charges for animal cruelty following a viral video that appeared to show the defender physically abusing his cat.Despite the uproar, Moyes has said that he will carry on selecting Zouma, as he had for the Hammers’ 1-0 win against Watford on February 8.The Scottish boss, 58, said: "In most drink-driving offences, they have to go to classes to learn from it."I think the RSPCA will provide us with some courses to help him understand how to treat animals."We will do everything we can to help Kurt get better. As a club, we will do everything we can so that we can resolve it."He is being treated the same way as any other player.

Manchester United legend Paul Scholes ahead of the early Premier League kick-off against Southampton.The former left-back was lurking around Old Trafford on Saturday morning as the Red Devils prepared to bounce back following their disappointing 1-1 draw to Burnley on Tuesday.Scholes arrived at the stadium ready to offer his insight on BT Sport as a pundit alongside Glenn Hoddle but was met by a scheming Evra outside the ground.The 40-year-old Frenchman was filmed hiding behind a team bus, waiting for his Scholes to pass before sneakily catching his former teammate off-guard from behind.Scholes, who eventually spotted him, embraced Evra as the two walked arm-in-arm and shared a joke.The official Manchester United account tweeted an initial clip, writing: “We see you @Evra,” before captioning the second clip in question: “As does Scholesy… eventually!”United fans at Old Trafford would no doubt wish their two former icons were back on the pitch following another poor result midweek.Do you think Man United would compete for the league if they had Scholes and Evra in their prime? Let us know in the comments section.The Red Devils went into the Southampton fixture knowing a win is vital to their hopes of achieving a top-four finish this season.Manager Ralf Rangnick, meanwhile, was positive on Friday ahead of the clash despite reports of a disgruntled dressing room.He said: “I can only tell you what I have experienced in the last few weeks.Want to be on the ball with all of the latest football news?Well then sign up for the brilliant Daily Star football email newsletter!From the latest transfer news to the agenda-setting stories, get it all in your email inbox - don't miss a thing.It only takes a matter of seconds.Simply type

Edgar Wright is bringing a bit of London in the swinging ‘60s to Toronto with his latest film, the psychological thriller “Last Night In Soho”. Together with co-writer Krysty Wilson-Cairns, the duo tells ET Canada about bringing Soho to life with Anya Taylor-Joy and Thomasin McKenzie.

The death of actor and comedian Norm Macdonald has rocked Hollywood on Tuesday. Macdonald, who most famously worked the Weekend Update desk during his tenure on Saturday Night Live in the ’90s, succumbed to cancer after a very private, decade-long battle at the age of 61.

The past is full of surprises.

Edgar Wright fans rejoice: after waiting nearly a year for the director’s new film, “Last Night In Soho” finally had its world premiere at the Venice Film Festival just recently. It’s Wright’s first straight-up horror film of his career and his latest feature since 2017’s “Baby Driver.” Given the director’s penchant for genre deep-dives, this makes “Soho” one of the most anticipated films of 2021.

This year’s BFI London Film Festival has unveiled its full list of titles, with the program comprised of 159 features including 21 world premieres.

Naman Ramachandran The 65 British Film Institute (BFI) London Film Festival has unveiled its full program and the headline galas include several films that have been gaining fame recently.Among the galas are Pablo Larrain’s “Spencer,” with Kristen Stewart; Jane Campion’s “The Power of the Dog,” with Benedict Cumberbatch; Reinaldo Marcus Green’s “King Richard,” with Will Smith; and Wes Anderson’s “The French Dispatch,” featuring a host of stars including Timothée Chalamet, Tilda Swinton and Léa Seydoux.

Anya Taylor-Joy is continuing to bring her fashion A-game.

Ramin Setoodeh Executive EditorThe Venice crowd at the Sala Grande theater could not take their eyes off Anya Taylor-Joy during Edgar Wright’s trippy psychological thriller “Last Night in Soho.”But when the movie ended just after midnight on Saturday and the spotlight shone on the cast to receive applause from the festival attendees, as is tradition, Taylor-Joy was nowhere to be found.Had she left her own movie?Director Edgar Wright and Matt Smith applauded along with the crowd — as confusion set into the auditorium. After about a minute, Taylor-Joy (dressed in a pink Dior Haute Couture gown with a matching beret) swung open the doors to the theater’s balcony and quickly returned to her seat, to a swarm of loud applause.

Anya Taylor-Joy has always been a fashion icon and her latest red carpet look continues to cement her status as one!

Guess it had to happen sometime, but it’s a shame that the previously-thought-to-be inexhaustible energy resource of Edgar Wright’s omnivorous, giddy cinephilia should finally be showing signs running out right now, just when a jaded, weary, pandemic-drab world could use it most. Don’t get me wrong: with its dual-timeline gimmick and its evident love for the pastichey recreation of London in the Swinging Sixties decorating a coming-of-ager that becomes a fish-out-of-water drama that morphs into a murder-mystery that then turns into a slasher-horror, “Last Night in Soho,” which premiered today at the Venice Film Festival, boasts as ambitious a genre-melding concept as Wright has ever fielded.

Leave it to Edgar Wright to play with genre expectations and deliver yet another delightfully off-kilter thriller that also thrills with its undeniably trippy atmosphere and blast to the past of swinging 60’s London. The director of films like Baby Driver, Scott Pilgrim Vs.

Guy Lodge Film CriticHave you ever noticed how the icily dramatic opening strings in “You’re My World,” Cilla Black’s earnest, bawling-on-the-bathroom-floor ballad from 1965, could just as easily be a shivery horror theme by Bernard Herrmann? Edgar Wright has, and uses the likeness to briefly spine-tingling effect early in “Last Night in Soho”: As ’60s-fixated Gen-Z fashion student Eloise (Thomasin McKenzie) finds herself somehow transported in time to the Swinging London world of naive party girl and aspiring chanteuse Sandie (Anya Taylor-Joy), those strings signal not just the dreamy collision of timelines, but a darkening of tone and genre, as Eloise’s rosy nostalgia for an era she never inhabited is soon invaded by blood-dripping

Anya Taylor-Joy‘s new horror film Last Night in Soho is having its premiere at the 2021 Venice Film Festival and director Edgar Wright is hoping audiences will keep the movie’s secrets to themselves.

When Last Night In Soho director Edgar Wright submitted his latest film to the Venice Film Festival, he called it “a dark Valentine to Soho.” Elaborating on that, Wright told the Lido press corps this afternoon, “I love London, but there’s a lot to fear about it as well, so you have a conflicted relationship with the city… I’ve spent more time in Soho than I have on any of my couches at home. The story of the film and the film itself were inescapable at some point.”

Naman Ramachandran Filmmaker Edgar Wright and stars Anya Taylor-Joy and Matt Smith were in sparkling form at the press conference for ‘Last Night in Soho’ on Saturday. The London-set film travels back in time and Wright describes it as an homage to the “psychological thrillers I really adore” made by British filmmakers Michael Powell and Alfred Hitchcock and Italian genre directors Mario Bava and Dario Argento.“I guess I wanted to find a way to sort of make a London version of that,” Wright said.

Naman Ramachandran “Last Night in Soho” filmmaker Edgar Wright has requested audiences at the Venice Film Festival not to give away the plot of his latest film ahead of its Oct. 29 release.The movie has its world premiere out of competition at the festival on Saturday.Ahead of the film’s first press screening, Wright posted a message titled “A Note from the Filmmakers” to his Twitter feed.“In ‘Last Night in Soho,’ our heroine Eloise goes on a journey.

Director Edgar Wright teamed with the Oscar-nominated co-writer of “1917,” Krysty Wilson-Cairns, for a new, more serious genre venture, “Last Night In Soho.” A psychological horror film that seemingly has time-jumping elements with rising stars Anya Taylor-Joy (“The Witch,” “The Queen’s Gambit“) and Thomasin McKenzie (“Jojo Rabbit“) playing the two main leads.