‘Last Light’ Is a Matthew Fox Disaster Story That Doesn’t Generate Heat: TV Review

Did Cecily Strong quit Saturday Night Live?!

Joel Edgerton and Sigourney Weaver are stepping out to promote their new movie.

poked fun at some recent profile sex scandals on Saturday's season 48 premiere.Host Miles Teller played game show host Halen Hardy, who oversaw the challenging show «The game is very simple. We have four male celebrity contestants, and all they have to do is reply to a woman's DM on Instagram in a way that is normal,» Halen explained.

Olivia Wilde opted for a comfortable look as she stopped by the Academy Museum of Motion Pictures in Los Angeles on Friday.The Don't Worry Darling director, 38, sported a black T-shirt with a slogan that read '100% human' as well as a pair of light jeans.The girlfriend of Harry Styles, 28, was joined on the outing by a friend, and the two were seen enjoying a cup of coffee on the outdoor patio. Casual: Olivia Wilde opted for a comfortable look as she stopped by the Academy Museum of Motion Pictures in Los Angeles on FridayThe actress accessorized with a black baseball hat and wore a pair of comfortable checkered Vans sneakers.

Manchester City star Erling Haaland has reportedly splashed £50,000 on a cryotherapy chamber for his Cheshire home to keep in tip-top condition. Haaland has been on fire on the pitch for the reigning Premier League champions so far this season, but off it he's now anything but - as his new walk-in ice pod can expose him to temperatures of as low as -200C.Those freezing figures help treat and rehabilitate ­human tissue, something which is vitally important for the Norwegian goal machine as he's had many injury issues in the past.READ MORE: Man City plan to rip up Erling Haaland's contract and give him even bigger new dealHe missed two large chunks of last season for Borussia Dortmund, something which Pep Guardiola and his coaching staff are looking to avoid this time around.So while they've been managing his minutes as much as possible, Haaland has taken it upon himself to dig into his reported £375,000-per-week wages and invest in the chamber, according to the Mirror.He's only able to use it for up to five minutes at any one time as any longer than that and it could pose health risks.

With a smorgasbord of greatest hits past and perhaps present, Saturday Night Live went successfully mega-meta tonight in the sometime bubbling over cold open of its Season 48 debut.

Miles Teller made his childhood dreams come true as the host of Saturday Night Live.

Rachel Zoe attended the Barbara Berlanti Heroes Gala benefiting F*** Cancer, which was held at the Barker Hangar in Santa Monica on Saturday evening.The 51-year-old designer looked radiant while attending the event, during which she was joined by her sons Skyler, 11, and Kaius, 8.Numerous other figures from the entertainment industry were also present at the charitable function. There she is: Rachel Zoe attended the Barbara Berlanti Heroes Gala benefiting F*** Cancer, which was held at the Barker Hangar in Santa Monica on Saturday eveningZoe wore a shining silver dress that obscured much of her toned form during the gala.The designer's outfit featured a lengthy cape that cascaded towards the event's red carpet.

Kim Kardashian showed off her flawless complexion while advertising her SKKN skincare line on Saturday.The reality TV beauty, 41, went topless for the occasion, gazing into the camera over her shoulder, and wore her platinum tresses slowing down her back. The savvy businesswoman also shared a behind the scenes look of her latest pajama collection that was officially launched for her SKIMS brand earlier Saturday.  Flawless: Kim Kardashian went topless as she showed off her flawless complexion while advertising her SKKN skincare line on SaturdayThe Keeping Up With The Kardashians star flaunted a few sets from the new 'drapey' pajama collection which she shared onto her Instagram story.  The businesswoman shared a few short clips onto her Instagram stories for her 330 million fans and followers to promote her new SKIMS collection. The TV personality shared a video of a paper that showcased a visual of what the pajamas looked like.  New launch: The reality TV star, 41, also launched her new drapey pajama collection for her SKIMS brand earlier on Saturday  'I want you guys to see our drapey sleep, like what it looks like on a mannequin. It is so comfy,' she explained in a voiceover, adding that the material is 'comfy' and feels like 'cotton.' The camera than panned away from the piece of paper to the items on hangers in a spacious room. The set includes a 'wrap top' with long sleeves, and can be secured at the waist with a belt of the same material.

Emily Ratajkowski lambasted the new Marilyn Monroe biopic Blonde for 'fetishizing female pain, even in death.'She posted a TikTok video denouncing the Netflix film starring Ana De Armas - while admitting she has yet to actually watch it.The 31-year-old, who recently left her allegedly unfaithful husband, argued that 'anger' is more difficult to 'fetishize' and thus declared herself to be in her 'B**** Era.' Not having it: Emily Ratajkowski lambasted the new Marilyn Monroe biopic Blonde for 'fetishizing female pain, even in death' Denunciation: She posted a TikTok video denouncing the Netflix film starring Ana De Armas - while admitting she has yet to actually watch it'So I’ve hearing a lot about this Marilyn Monroe movie Blonde, which I haven’t seen yet, but I’m not surprised to hear that it’s yet another movie fetishizing female pain, even in death,' Emily began her TikTok monologue.

Wilson Chapman editor After a summer filled with cast exits and goodbyes, “Saturday Night Live” opened its 48th Season by poking fun at both frequent target President Trump and its own rebuilding period. The sketch starred the premiere’s host Miles Teller and cast member Andrew Dismukes as sports stars and brother’s Peyton and Eli Manning, in a parody of their “Monday Night Football” commentary show “Manningcast.” However, instead of analyzing the plays of a football game, the two instead turned their insight into the opening sketch of “Saturday Night Live’s” new season. At the top of the sketch, Teller as Peyton addressed the shakeups that the series has gone through other the summer, which saw eight cast members — Chris Redd, Alex Moffat, Aristotle Athari, Melissa Villasenor, Pete Davidson, Kate McKinnon, Aidy Bryant and Kyle Mooney — announce their departures from the long-running sketch comedy series. “There are a lot of changes at the show, which could be exciting,” Teller said. “Let’s see what they came up with.”

Owen Gleiberman Chief Film Critic “Hot Take: The Depp/Heard Trial” sounds like the tawdriest of TV-movies, with any vestige of shame left on the cutting-room floor. It definitely is that, yet it’s worth noting that this exact sort thing has been around for decades. It just didn’t used to come off the assembly line quite so quickly. In the ’70s, ’80s, and ’90s, the landscape was littered with made-for-TV movies that jumped on tabloid-ready stories — The Jacksons! Jim Jones! The Menendez brothers! The Beverly Hills madam! The rape of Richard Beck! — and squeezed out whatever juice was left in them. “Hot Take” isn’t much different. It feeds on our collective desire, which is apparently limitless, to see adequate-but-not-never-good-enough actors acting out the infamous scenes we’ve read or heard about, bringing those squalid episodes to life. Except that the whole problem with this form is that the dramatized version rarely ends up looking half as real as what was in our imaginations.

Daniel D'Addario Chief TV Critic Back as a full-scale production for the first time since 2019, the Emmys moved, in moments, with a refreshing fleetness. But much of the production seemed strangely stuck in a hazy past. Why, for instance, did host Kenan Thompson only uncork his best material after the first commercial break, after an opening during which he staggered through choreographed routines to TV theme songs? And why were those songs generally for series not honored at this year’s Emmys? We began with “Friends,” moved into “The Brady Bunch” — with a brief shoutout to the cast of that classic sitcom sitting in the audience, not to be mentioned again — and ended on “Game of Thrones,” the big winner at the last pre-COVID Emmys.

Matthew Fox is acting again!

Daniel D'Addario Chief TV Critic Deep into its run, “The Handmaid’s Tale” has found itself — or a version of itself, at once leaner and stranger — again. In the past, I’ve written that this show, which boasts a strong ensemble cast supporting probably the most agile performer on television, has been frustratingly unable to emerge from the potency of its set-up. Season after season was spent re-litigating the harms done to Elisabeth Moss’ June, all while reducing her from a recognizable human into a character history. The show made the point that June had been altered by trauma too well. Now, though, June feels liberated; in the wake of Season 4’s conclusion, in which our heroine led a mob killing of her tormentor (Joseph Fiennes), Moss’ performance feels opened up, and so does the series’ creative universe.

Daniel D'Addario Chief TV Critic The prospect of Susan Sarandon leading an “Empire”-style music drama set in the world of country music is an instantly alluring one. Not merely is Sarandon a compelling screen presence (one who FX’s “Feud” proved works well on TV), but the particular contours of her public image as a stalwart leftist activist would seem to rub up intriguingly against her character, a survivor in the culturally conservative world of Nashville. Bad luck for viewers, then, that Sarandon, largely at a remove from the story for plot reasons, is such a minimally used part of Fox’s new drama “Monarch,” and that the elements that supersede her hold such little interest. Dottie Cantrell Roman and Albie Roman, played by Sarandon and Trace Adkins, are the parents to three children, two of them rival vocalists (Anna Friel and Beth Ditto); Dottie and Albie’s son (Joshua Sasse) must try to hold the clan together despite his sisters’ egos and need for validation.

Daniel D'Addario Chief TV Critic With its pulsing burble of Blondie music and its chilly aesthetic, the 1980 Paul Schrader film “American Gigolo” is a showpiece of what would soon be the Reagan decade. Some 42 years later, a TV adaptation feels lost in time, and searching for an argument for its existence. Starring Jon Bernthal and with a pilot written and directed by “Ray Donovan’s” David Hollander (whose ties to Paramount Television Studios were severed during production), “American Gigolo” is lead-footed, and prurient rather than hot. And Bernthal seems at sea here, an unusual look for a star whose coiled charisma has elsewhere served him well. His Julian Kaye — whose name is shared with Richard Gere’s character in Schrader’s movie — emerges from a 15-year sentence we’re told happened about a decade and a half ago, but nothing about Julian’s world feels of the present day, or of Earth. Julian, we understand, was wrongfully convicted; Rosie O’Donnell’s Detective Sunday is attempting to crack the case of what really happenned, while a swirling remembered attraction between Julian and Gretchen Mol’s Michelle threatens Julian’s chances at finding a post-prison equilibrium.

Daniel D'Addario Chief TV Critic “The lessons of the fire, as we reach for something higher,” a voice wails as images of flying crows and blood dripping down a rose’s thorny stem flood the screen. “With eyes we’ve all come to know, he’s the devil in Ohio.”  This theme song has a self-conscious ludicrousness that’s ultimately earned by the series it introduces — at least in one sense. Netflix’s “Devil in Ohio” isn’t so great that its missteps end up making sense, but it’s so schlockily unembarrassed by its excesses and its shortcomings alike that it feels difficult to critique.  Here, Emily Deschanel plays Suzanne, a psychiatrist whose particularly challenging new patient Mae (Madeleine Arthur) seems in urgent need of shelter after escaping a cult. Naturally, Suzanne brings her home — and, of course, Suzanne has three daughters (played by Xaria Dotson, Alisha Newton, and Naomi Tan) from whom Mae can be acclimated into high-school life, or on whom Mae can rapidly exert her influence.

Matthew Fox makes his return to television 12 years after the end of in the new Peacock apocalyptic miniseries, . The 56-year-old actor acknowledged his time away from the spotlight and why he chose this project, which co-stars s Joanne Froggatt, to be the one that marked his TV return.«There’s a lot of reasons. It really came down to I had done a bucket list of things that I wanted to accomplish in the business and the one thing that I hadn’t done is I hadn’t done any executive producing and I really wanted to try that,» Fox, who serves as an EP on the series, tells ET's Matt Cohen. «I wanted to try my hand at it and and have my hand in more elements of the story than just the role that I was portraying.»«Obviously the story itself, the macro backdrop of the story [is] this oil crisis and this family at the core of it that is separated through this crisis and striving to get back together again and be reunited.