Three decades into his career as the focal point of Lambchop, the unclassifiable band that has toyed with sound and shifted its aesthetic as frequently as it has allowed its lineup to be recycled, and Kurt Warner is still animated by the idea of making his strangest music yet. “It may end up being one of those records that actually you can point to and go, ‘Hey that's where things got really wild for this artist,’” he says over the phone of Lambchop’s latest album, Showtunes. “Whether it was good or bad, people may go, ‘Yep, that's where he really went off the rails.’’ Showtunes, due out May 21 via Merge in the U.S.
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