Kim Basinger was newly married to actor Alec Baldwin and had just given birth to their daughter, Ireland, when her William Morris agent sent her the script for “L.A.
Confidential.” She was tired of playing the siren roles that had defined her — from a Bond girl in “Never Say Never Again” to a New York gallery owner in the erotic classic “9½ Weeks” to a barefoot Vicki Vale running through the streets of Gotham City in Tim Burton’s 1989 “Batman.” “I said, ‘Well, I’m not interested in playing a whore.
Not doing it. I’m a mom, so I’m not going to play that,’” she recalls. But her agent persisted, and she agreed to take a 3 p.m.
meeting with the late director Curtis Hanson at the Formosa in West Hollywood. The lot was empty, and she drove around mulling the parking spaces named after Hollywood legends before selecting the Humphrey Bogart spot.
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