Ben Croll Gallic cinephiles gave James Cameron a hero’s welcome at a Paris masterclass on Thursday, ushering the action auteur onstage with a reception so thunderous that it shook the filmmaker’s oft-unflappable public demeanor. “That’s the record,” he said in between laughs and in a show of uncommon giddiness. “That’s the record for the longest applause I’ve ever had in my life.
Thank you. This is a high point of my career!” The event kicked off a new exhibition at Paris’ Cinematheque Française that positions Cameron as a graphic artist who draws inspiration from his own subconscious.
Running until January 2025, “The Art of James Cameron” showcases more then 300 paintings, etchings and production designs pulled from Cameron’s private collection, signed by the filmmaker’s own hand, and exhibited as a kind of career retrospective. “I wasn’t involved in the layout or the design or any of that,” Cameron told the audience as the applause finally dimmed. “So when I [first] walked through I thought, ‘Wow, this is my whole journey.
It all makes sense to me, now for the very first time.’” Dreams and Nightmares While Sigourney Weaver flanked her longtime collaborator at the exhibition’s opening vernissage, “Proxima” director Alice Winocour stepped in to lead the talk.
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