Tatiana Siegel Back in June 2019, J.J. Abrams struck a massive overall deal that would keep him in the fold of Warner Bros., his home studio since 2006.
The five-year pact, pegged at $500 million at the time, had a unique structure that allowed Abrams to draw from a significant pool of money to sign other writers to overall deals.
That positioned the multi-hyphenate behind “Felicity” and “Lost” as not just a content creator but a mogul whose Bad Robot production company would incubate the next generation of storytellers, with Abrams and his wife, Katie McGrath, overseeing the stable.
Five and a half years later, Warner Bros. doesn’t have much to show for all the coin that it showered on Abrams, even as the value of the deal dropped by half because Bad Robot failed to reach the financial and output benchmarks that would have triggered the full $500 million.
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