“Art Bust: Scandalous Stories of the Art World,” told The Post. “We’re in a moment where owning antiquities taken from the country of origin is much less acceptable than it was just 15 years ago.” As the world moves toward a reckoning with the history of colonialism, demands for the repatriation of historical art objects stolen from poor countries and sold into rich ones are multiplying at an unprecedented rate.
Lewis is quick to point out the positive side of the legal antiquities market. “It’s good that there’s lots of exchanges between cultures — you wouldn’t have art history unless people from one country saw art from another.
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