Indian Child Sex Trafficking Doc ‘From the Shadows’ Selected for Cannes Market Initiative

I'm A Celeb. READ MORE: ITV The Chase contestant Paul shares how much the contestants are told Video: Britain’s Got Talent: Simon Cowell hands out golden buzzer (Birmingham Mail)The Scene In Wast Hills Lane Where A Woman's Body Was FoundMusician Emma Blackery: Birmingham gig crowds are always so enthusiasticRishi Sunak says cost of living support package was 'categorically not' to distract from Sue Gray reportRob Burrow: "Enjoy life because it is so precious and you never know what's around the corner"Flowers Left At The Scene At The Industrial Estate In Doulton Road In Rowley RegisPolice At The Scene In Wast Hills LaneAdil Ray talks The Birmingham 2022 Commonwealth Games and the CommonwealthAfternoon tea in the Georgian Tea Room of Birmingham Museum and Art GalleryThe Chase viewers brand contestant a 'leech' after sly tacticThis Morning vet on how important it is to apply sunscreen to petsFloozie Returns With More To Come Says Council Leader Ian WardLorraine Kelly fans confused as Ranvir Singh steps in to host showAndi Peters delivers a SANDWICH to Laura Tobin during the weather on GMBRichard Arnold wells up when talking about ABBA Voyage opening nightTravel expert Simon Calder explains Gatwick Airport EasyJet chaos Speaking to Birmingham Live, Brummie star Paul revealed that contestants do get to meet each other before filming.

Kelly Reichardt has been making minimal Americana since the early 1990s, mostly around the state of Oregon where she lives and mostly about her favored awkward squad: quiet square pegs who don’t quite fit the round holes society provides. In this ongoing quest she has found many collaborators, but none more attuned to her recessive brand of naturalism than Michelle Williams.

Naman Ramachandran The late Govindan Aravindan’s 1978 masterpiece “Thamp̄” (“The Circus Tent”) is one of two Indian films at this year’s Cannes Classics selection, alongside Satyajit Ray’s “Pratidwandi” (“The Adversary”) from 1970.“Thamp̄” was painstakingly restored by India’s Film Heritage Foundation (FHF), an organization founded by filmmaker Shivendra Singh Dungarpur (“Celluloid Man,” “CzechMate: In Search of Jirí Menzel”) in 2014. Dungarpur facilitated the restoration of Uday Shankar’s landmark film “Kalpana” (1948) by Martin Scorsese’s World Cinema Foundation, the restored version of which premiered at the Cannes Film Festival in 2012.

In part deux today of the Cannes Film Festival symposium on cinema, three female filmmakers were represented in You Were Never Really Here‘s Lynne Ramsay and Grand Central‘s Rebecca Zlotowski and French actress/director/scribe Agnes Jaoui, unlike yesterday when it was all men. The festival on social media took a licking for being tone deaf in the wake of yesterday’s panel.

Lise Pedersen The top IEFTA (Intl. Film Talent Assn.) award for docs-in-progress at the Cannes Film Market’s documentary-focused industry sidebar Cannes Docs has gone to “Twice Colonized” by Lin Alluna.The film was developed by the Circle Women Doc Accelerator, a training program for female-identifying documentary filmmakers.The win marks a hat-trick for Circle since they started their partnership with Cannes Docs in 2020: previous IEFTA Docs-in-Progress Award laureates at the industry event include “Beauty of the Beast” by Anna Nemes, produced by Circle 2018 alumna Ágnes Horváth-Szabó, and “Cent’anni” by Circle 2020 alumna Maja Prelog, produced by Rok Biček.“Twice Colonized” tells the story of renowned Inuit lawyer Aaju Peter who has led a lifelong fight for the rights of her people.

The writing’s on her side! Kristin Cavallari debuted new ink on her torso, and the art seemingly honors her love of travel.

Rise Films is nearing the end of what has been a monumental month for the London-based production outfit. Last week, HBO Max launched the company’s two-part documentary George Carlin’s American Dream, which chronicles the life and five-decade career of the comedian with Judd Apatow in the director’s seat.

In David Cronenberg’s latest genre twister, Crimes of the Future, Viggo Mortensen and Lea Seydoux plays partners who are performance artists, engrossed in performing surgery (largely on the former) for public nightclub spectacle. They’re enthralled with the freedom they can take on each other’s bodies. All of this in a governing society that’s not too fond of it.

Just when his fans may have figured that David Cronenberg had called it a career (he’s now 79 and hadn’t made a feature since the misfired Maps to the Stars in 2014), along comes a film that only the Canadian maestro of the perverse could have created.

There’s a lot of weird fetishes in this world, which we won’t go into, but for David Cronenberg’s Crimes of the Future, the new sex is surgery.

Viola Davis brought guests at Kering’s annual Women in Motion dinner in Cannes to their feet on Sunday with a rousing speech acknowledging her roots and personal journey to Hollywood.“As much as I love Alexander McQueen — and I love Alexander McQueen — and the fabulous makeup,” said Davis, “I am always, always so moved when people tell me my work or my life meant something to them. But just know who I am at the end of the day is: I don’t want to leave something for people — I want to leave something in people.”Davis was speaking on stage at Kering’s annual dinner at the Cannes Film Festival, where she was the night’s honoree.

Carole Horst Nonfiction filmmaker Brett Morgen has taken on icons in his previous films including Jane Goodall (“Jane”), the Rolling Stones (“Crossfire Hurricane”) and Kurt Cobain (“Cobain: Montage of Heck”). With “Moonage Daydream,” he turns his lens on David Bowie. It may be Morgen’s biggest project yet — he combed through 5 million assets that the Bowie estate shared with him as well as “everything on YouTube,” Morgen said.

Gregg Goldstein Casting films is an unlikely path to writing and directing them, but Lise Akoka and Romane Guéret didn’t only succeed on that journey, they made the experience the basis of their first feature, “Les Pires (The Worst Ones),” earning a berth in Un Certain Regard.The French filmmakers met on the set of Rudi Rosenberg’s 2015 teen comedy “Le Nouveau (The New Kid).” Akoka worked as a casting director and acting coach, Guéret was a casting trainee, and the two became fast friends. “We were in the north of France, in those old mining territories, and found these two amazing children,” Akoka recalls through a translator.

Patrick Frater Asia Bureau ChiefIranian-Danish director Ali Abbasi insists that his Cannes competition film “Holy Spider” is not intended to be a controversial truth telling. Rather, he is telling the truth through a fictional interpretation of real events. The film chronicles a killing spree in the streets of the religious city of Mashhad, where 16 prostitutes were found dead between 2000 and 2001.“I am not a big fan of serial killers or serial killer movies,” Abbasi said May 23 at the Cannes Film Festival.

Lise Pedersen Scandinavia is bringing talent old and new to the Cannes Film Market’s Cannes Docs sidebar this year, with a showcase of five feature length films-in-the-making pitched as part of the Scandinavian Showcase on Saturday.“Children of the Lowest Heaven”From Denmark, internationally acclaimed writer-director Birgitte Stærmose Mortensen (“Darling,” “Room 304”), who has been working on mini-series for HBO, Starz and Netflix for the past five years (“Industry” season 2, “The Spanish Princess,” “In From the Cold” and “The English Game”), presented “Children of the Lowest Heaven” (“Ønskeliv”), a hybrid doc set in Kosovo.Inspired by her short “Out of Love” (2009), about a group of children living in poverty in post-war Pristina, it picks up where she left off with the characters, who are now young adults, still fighting to survive in one of Europe’s poorest nations. It’s about the long-term effects of war, and what it means to live a life in poverty.

The titular Triangle Of Sadness in previous Palme D’Or winner Ruben Ostlund’s current Cannes competition entry, we’re told, is the small space between the eyebrows and the bridge of the nose where nasty, aging lines register an accumulation of inconvenient emotions that, quite frankly, don’t sell a suit on the catwalk. “Do you think he needs Botox?,” mutters a model casting agent as Carl (Harris Dickinson) — who, being on the wrong side of 20, should worry — struts his stuff. He will soon find himself at a fashion show where a huge neon screen announces “Everyone is equal!” That’s nonsense, obviously. Carl can’t even find a seat.

Cannes Film Festival is making efforts to diversify beyond the cavalcade of many of the same male auteurs. Instead, there will be a record number of women directors in competition.Now the bad news.

Neon has landed North American rights at Cannes to La Chimera, the tomb-robbing drama from writer-director Alice Rohrwacher that stars Josh O’Connor and Isabelle Rossellini.

Naman Ramachandran Revered Algerian actor Ahmed Benaissa died on Friday after a long illness, according to the Algerian Ministry of Culture. He was 78.Benaissa’s latest film, Clement Cogitore’s “Sons of Ramses,” (“Goutte d’Or”) in which he had a key role, playing Ramses’s (Karim Leklou) father, is premiering at Cannes on Friday, as a special screening in the Critics’ Week strand of the festival.“I am deeply saddened at the sudden passing of Ahmed Benaissa,” Cogitore said. “The film would not exist without him and words can’t express our sorrow at premiering the film in Cannes today.”“Sons Of Ramses” is produced by Jean-Christophe Reymond for Kazak Productions.

Elsa Keslassy International CorrespondentMK2 Films is shooting “Curiosity Room,” a remake of Wim Wenders’s cult 1982 documentary “Room 666,” during the Cannes Film Festival. Produced by MK Prods.

Armageddon Time wearing a fascinating couture gown by French designer Stéphane Rolland. While the bottom half of the white gown creates a cloud-like effect, the bodice is meant to appear completely sheer with three crystal-embellished appliqués over her bust and abdomen.