J. Kim Murphy It’s only been six months since the release of Liam Neeson’s last film, which means theaters are overdue for another thriller led by the prolific star.
His latest vehicle, “In the Land of Saints and Sinners,” arrives with an unusual distinction: Directed by Robert Lorenz, the film premiered in Venice a month before another Neeson movie, the maligned bomb-threat thriller “Retribution,” hit U.S.
screens. Being selected by such a festival lends ”Saints and Sinners” a whiff of prestige, which it decidedly earns. In fact, the film practically resembles a “one for me” endeavor for the star, with its windswept Irish landscapes and thoughtful reserve, putting the actor among an ensemble of his fellow countrymen and providing the performances room to find poignancy.
The story opens with its most suspenseful action: a bombing by an IRA platoon in Belfast that accidentally kills a group of young children, setting a woeful tone for the rest of the proceedings.
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