Chris Willman Senior Music Writer and Chief Music CriticThe story of women in country music is being written anew every day, but it needs its actual scriveners, too, to keep a record of what progress is or isn’t being made in a genre that sometimes has wavered between nourishing and ignoring its queens.
That role has been well-filled in recent years by music journalist Marissa R. Moss, who perhaps more than any other writer has made it her mission to hold feet to the fire when it comes to the still beyond-glaring inequities between female and male artists in the genre.
A regular contributor to Rolling Stone Country, Moss has come even more to celebrate than to excoriate — though there’s plenty of both to go around — with her first book, “Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be.” The volume has as its recurring focus three young, accomplished singer-songwriter stars — Mickey Guyton, Maren Morris and Kacey Musgraves — but takes plenty of detours beyond that core trio to explore the stories of veteran for bubbling-under female artists.
It’s a book that sees Moss fulfilling her role as an activist-journalist, but that in its individual storytelling also reveals her astute eye for biographical detail.
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