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Donald John Trump (born June 14, 1946) is the 45th and current president of the United States. Before entering politics, he was a businessman and television personality. Trump was born and raised in the New York City borough of Queens, and received a bachelor's degree in economics from the Wharton School. He took charge of his family's real-estate business in 1971, renamed it The Trump Organization, and expanded its operations from Queens and Brooklyn into Manhattan.

The company built or renovated skyscrapers, hotels, casinos, and golf courses. Trump later started various side ventures, mostly by licensing his name. He owned the Miss Universe and Miss USA beauty pageants from 1996 to 2015, and produced and hosted The Apprentice, a reality television show, from 2003 to 2015. Forbes estimates his net worth to be $3.1 billion.

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How Indian Talent Management Agency Tulsea Is Scripting A Better Deal For Writers In Growth Markets

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deadline.com

EXCLUSIVE: With the Writers Guild of America (WGA) strike underway, and guilds around the world expressing solidarity, issues surrounding writers and the way they’re compensated have become front and center of a global conversation.

But Datta Dave, co-founder of Mumbai and Los Angeles-based agency Tulsea, whose clients include Sudip Sharma, Puneet Krishna and Shonali Bose, points out that while the WGA is dealing with important issues, they’re also “mature market issues” – or to be less polite, first world problems – as conditions for writers in developing markets are way behind even the basic rights that the WGA and other guilds have secured in the West.  “Over here we’re still at the stage where we’re asking for writers to get a credit on a billboard,” Dave says. “And while Hollywood might say writers don’t always get a credit on a billboard, the pendulum has swung so far the other way here that we’re trying to course correct a bit.”  Although writers and showrunners have never been more in demand in India – with U.S.

studios and streamers including Netflix, Disney and Amazon Prime Video pouring investment into local-language content – they’re still fighting for terms and conditions that writers in the West would take for granted.

Indian writers do not have access to standard contractual clauses covering minimums, residuals, the way payments are structured or how credits are determined.

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