How FilmNation Became the Indie Powerhouse Behind This Year’s Top Oscar Contenders

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Clayton Davis Senior Awards Editor In a year dominated by major studio blockbusters, one independent production company has emerged as a force to be reckoned with at the Academy Awards.

FilmNation, the New York-based indie studio, is the common thread linking two of the biggest contenders for best picture — Sean Baker’s “Anora” and Edward Berger’s “Conclave” — which were then sold to and distributed by Neon and Focus Features, respectively.

FilmNation’s presence in this year’s Oscar race is undeniable. “Conclave,” a gripping religious thriller set within the Vatican, has grossed over $100 million worldwide.

At the same time, “Anora,” a bold dramedy about a sex worker, has already surpassed $40 million on a $6 million budget. The company’s unique approach to filmmaking — one that prioritizes audacious storytelling, filmmaker-driven projects, and strategic partnerships — has paid off in a major way.

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