Kogonada, The Mononymous Director Who’d Prefer To Be Anonymous, Peers Into The Future – And The Human Soul – With His Sci-fi Drama ‘After YangIn an ideal world, Kogonada’s work would speak for itself.
He came to prominence with a series of short but powerful video essays that focused on a single aspect of a director’s work: faces in Hitchcock’s thrillers, mirrors in Bergman’s dramas, and the gentle quotidian pace of Yasujirō Ozu’s family sagas.
Ozu, in particular, is a big influence on Kogonada, who adapted the name of Ozu’s screenwriter—Kôgo Noda—as an alias. “I’ve never identified much with my American name,” he has said, “which always feels a little strange to see or hear.
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