Christopher Vourlias Three years ago, the Hot Docs Canadian International Documentary Festival drew nearly 230,000 attendees to venues across Toronto.
It was a record-breaking turnout, and a hopeful harbinger that even amid the growing disruption of streaming platforms, audiences were flocking more than ever before to North America’s largest documentary festival.It has not returned to cinemas since.After the coronavirus pandemic prompted a last-minute online pivot in 2020, Hot Docs was again forced to host a virtual fest last year.
Now, as the curtain is set to rise on its 29th edition, the festival’s director of programming, Shane Smith, admits to a case of nerves after the long absence. “Some of us haven’t been on stage for a while,” he tells Variety. “But it’s going to be great to get back into the groove, get that muscle memory reactivated.” This year’s edition will offer a reminder not only of how much has changed in the past two years, but of what has remained constant.
Like other festivals forced to adapt during the pandemic, mounting back-to-back virtual events has taught the organizing team some valuable lessons about how Hot Docs can evolve in an increasingly online world.
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