Tomris Laffly A bold celebration of taking up space in places you’re told you don’t belong, “Hawa” is a crowd-pleasing fable with a fluffy heart, fierce spirit and disarming sense of humor.
These qualities also define the titular heroine of Maïmouna Doucouré’s lovely sophomore feature, co-written by Doucouré, Alain-Michel Blanc, Zangro and David Elkaim.
Hawa is both sensitive and fearless while she roams the streets of Paris on a life-defining quest with her dependable scooter and unapologetic blonde afro, seeing the world through her idiosyncratic coke-bottle glasses as she earns the help and goodwill of a parade of strangers.
Don’t be alarmed by the crowded group of writers here — despite the many cooks in the kitchen, “Hawa,” under the baton of Doucouré, is as coherently envisioned and tightly structured as movies come.
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