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Prince Harry, Duke of Sussex, KCVO ADC (Henry Charles Albert David;15 September 1984) is the younger son of Charles, Prince of Wales and Diana, Princess of Wales and is sixth in the line of succession to the British throne. Harry was educated at Wetherby School, Ludgrove School, and Eton College. He spent parts of his gap year in Australia and Lesotho. He then underwent officer training at the Royal Military Academy Sandhurst. He was commissioned as a cornet (second lieutenant) into the Blues and Royals, serving temporarily with his brother Prince William, and he completed his training as a troop leader. In 2007–08, he served for over ten weeks in Helmand, Afghanistan, but was pulled out after an Australian magazine revealed his presence there. He returned to Afghanistan for a 20-week deployment in 2012–13 with the Army Air Corps. He left the army in June 2015.
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Grasshopper Film Acquires ‘Holding Back the Tide,’ Queer Hybrid Documentary About Fate of New York’s Oysters (EXCLUSIVE)

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variety.com

Christopher Vourlias Grasshopper Film has acquired North American distribution rights to “Holding Back the Tide,” Emily Packer’s meditation on New York’s oysters and their transformations in the face of an uncertain future.

The film, which world premiered at DOC NYC last fall, plays this week at the Thessaloniki Documentary Festival. According to the official synopsis, “Holding Back the Tide” is “an impressionistic hybrid documentary that traces the oyster through its many life cycles in New York, once the world’s oyster capital.

Now their specter haunts the city through queer characters embodying ancient myth, discovering the overlooked history and biology of the bivalve that built the city.

As environmentalists restore them to the harbor, we look to the oyster as a queer icon, entangled with nature, with much to teach about our continued survival.” Writer-director-producer Emily Packer is a non-binary, queer, experimental filmmaker and editor with an interest in geography and hybrid formats. “‘Holding Back the Tide’ was made with intersectional queer values, queer practices and LGBTQIA+ collaborators,” Packer said in a director’s statement, adding that “our creative choices [were] deeply rooted in our research and incorporate our subjects’ Black, Indigenous, immigrant and working-class histories.” Packer’s previous work has been screened at film festivals and theaters across the country, including at Anthology Film Archives, the BlackStar Film Festival and DOC NYC.

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