‘Gannibal’ Disney+ Japanese Horror Series to Return for Second Season

Timothee Chalamet is back in the Big Apple after his trip to Paris Fashion Week!

A Ukrainian refugee is desperately trying to help his parents escape intense bombing attacks in his home country.

The Scottish Government is pledging to make up to £728 million available in the next seven years to help Scots tackle fuel poverty by installing greener heating systems.

A Scots couple say they were left ' battered and bruied' after they were 'knocked off' their motorbike at a roundabout.

The Rosebank oilfield off Shetland – touted as the key to Britain’s energy security – will be owned and operated by a Norwegian government firm.

Travis Kelce and Taylor Swift had separate night outs on Saturday evening (September 30), but they were both joined by members of Chiefs Kingdom!

Lil Tay is speaking out on social media for the first time since her Instagram was hacked and a death hoax was uploaded to her account.

Talk show host Jeremy Kyle and his wife Victoria have opened up about suffering their second devastating miscarriage before falling pregnant with their longed-for-second child.

James Arthur has “a lot of sympathy” for Lewis Capaldi after the Forget Me star took a break from ­performing live.

Influencer Jamie Genevieve has more than quadrupled the value of her companies to £6.5million in the past year.

This week marks a milestone - four years since Coleen Rooney infamously accused fellow WAG Rebekah Vardy of leaking personal stories about her to the press - a saga dubbed 'Wagatha Christie', due to the former's detective work. Now, experts have told OK! Coleen is bouncing back after a 'painful' four years, and while she may have won the legal side of things, that hasn't been the case emotionally.

Erik ten Hag admits Manchester United forward Marcus Rashford "can do better" after he was substituted in the 1-0 defeat to Crystal Palace.

Owen Gleiberman Chief Film Critic “Foe” is a grandly muddled dystopian sci-fi movie starring Saoirse Ronan and Paul Mescal as a Midwestern farm couple in 2065 (they appear to be the only Midwestern farm couple left). When you hear the film’s premise, which makes it sound like a cross between “Interstellar” and “Blade Runner,” you may think it’s going to be one of those movies in which a pair of critical darlings from the indie world leave their low-budget poetic movies behind to plug themselves into the blockbuster machine.

Patrick Frater Asia Bureau Chief Studio Ghibli, the iconic Japanese cartoon firm behind Miyazaki Hayao’s recent “The Boy and the Heron” is selling a controlling stake to Japanese broadcaster NTV.

Patrick Frater Asia Bureau Chief Ozu Yasujiro, the leading Japanese film director behind classics including “Tokyo Story” and “Late Spring,” has had his double birth and death anniversaries – Ozu died in 1963 on the day of his 60th birthday, a little more than a year after the release of his last film “An Autumn Afternoon” – celebrated throughout 2023 at places as varied as the Cannes Film Festival, Los Angeles’ Margaret Herrick Library and the Taiwan Film & Audiovisual Institute. But it falls to October’s Tokyo International Film Festival to put on this year’s biggest and most comprehensive reconstruction of Ozu’s surprisingly varied career. Working in conjunction with the National Film Archive of Japan, the festival will present an extensive retrospective that covers almost all the films that Ozu directed (TIFF/NFAJ Classics: Ozu Yasujiro Week) from Oct. 24-29. Ozu spent his entire career, from camera assistant in 1923 to renown director in 1962, as an employee of major Japanese studio Shochiku, with all the advantages and disadvantages such an arrangement brought. While Ozu is best known for his stripped-down dramas, often centered on family relationships, sometimes troubled or contentious, involving parents and young or grown-up children, many hinging on questions of marriage, generational misunderstandings or the loneliness of the elderly, the director’s register may not entirely have been of his own choosing. “The apparent consistency of the post-war films surely owes as much to this production situation as to Ozu’s aesthetic choices,” wrote critic Tony Rayns in a recent Sight & Sound portrait.

Patrick Frater Asia Bureau Chief The Paramount+ streaming service will launch in Japan in December as a free-of-charge addition to cable and internet provider J:COM’s platform and to pay-TV service Wowow. Paramount+ originals including “Tulsa King,” “Mayor of Kingstown” and “Star Trek: Strange New Worlds” will be available at the launch of the service and for the first time in Japan. Japan will be the second country in East Asia where the service becomes available, following a launch in South Korea in June last year.

Patrick Frater Asia Bureau Chief Filming is now underway in Australia on “Desert King,” a neo-western drama series for Netflix that is positioned to be one of the streamer’s iconic prestige productions in the Asia-Pacific region. The story revolves around money and power in Australia’s harsh Outback regions with filming locations in the remote Northern Territory and near Adelaide, South Australia. When the world’s largest cattle station is left without a clear successor, generational clashes threaten to tear the Lawson family apart. Sensing this once great dynasty is in decline, the outback’s most powerful factions – rival cattle barons, desert gangsters, Indigenous elders and billionaire miners – move in for the kill,” says Netflix by way of a synopsis. While describing the six-part series as “one of the largest local screen productions filmed in both the [Northern] Territory and South Australia,” and “an extraordinary cast,” the streamer has not disclosed the identities of any cast. Directed by Greg McLean (“La Brea,” “Wolf Creek”), the show is a joint production between Easy Tiger and Ronde.

Patrick Frater Asia Bureau Chief Alibaba Pictures, the separately-listed film investment and distribution unit of China’s tech giant Alibaba behind recent box office hit “Lost in the Stars,” is to buy Damai. The target company is a major provider of live entertainment in the country that is currently controlled by the Alibaba parent company. The transaction is valued at $167 million, according to a regulatory filing on Tuesday, and will be paid for by the issue of new Alibaba Pictures shares. Damai is involved in concerts, musical festivals, live house performances, plays, sports events and exhibitions in China.

Patrick Frater Asia Bureau Chief Japan’s Dean Fujioka (“Fullmetal Alchemist,” “The Man From The Sea”) and the U.K.’s Callum Woodhouse (“All Creatures Great and Small,” “The Durrells”) are set to star in “Orang Ikan,” a WWII-set creature horror film. The picture is scripted by Singapore and Indonesia-based Mike Wiluan (“Buffalo Boys,” HBO series “Grisse”) who will also direct the picture from next month. International rights to “Orang Ikan” have been picked up by London-based SC Films International, which will give the project its sales launch at the Busan festival and accompanying market next month. Set in the Pacific, 1942, a Japanese ship transports prisoners of war to occupied territories as slave labor.

Patrick Frater Asia Bureau Chief A+E Networks is continuing its investment in Korean entertainment content with “A Good Day to Be a Dog,” a fantasy romantic comedy that will upload from Oct. 11. Within Korea, the show will play on public broadcaster MBC and Lifetime Korea, releasing at the rate of one episode per week, every Wednesday.

Patrick Frater Asia Bureau Chief Byun hee-bong, a veteran South Korean actor who appeared in several films by Oscar-winning director Bong Joon Ho, has died age 81. Byun died on Monday after complications related to a return of the pancreatic cancer that had previously occurred and been treated, according to the semi-official Yonhap News agency. The precise circumstances of his demise were not disclosed. He was born in Jangseon, South Jeolla Province, and started work at an unspecified time in live theater before becoming a voice performer for state TV network MBC in 1966. His TV work in the 1980s and 1990s included series including: 1981’s ”The First Republic”; 1985’s “The Joseon Dynasty 500 Years: Seouljungmae”; and 1999’s “The Legendary Doctor Hur Jun.” His first reliably recorded feature film work was in Bong’s breakout 2000 film “Barking Dogs Never Bite.” Byun appeared in significant roles in three other films by Bong: the cultish “Memories of Murder,” in 2003; 2006 Cannes presentation and box office hit “The Host”; and “Okja,” the creature feature which marked Netflix’s film production debut in Korea and which also appeared Cannes. Byun picked up half a dozen best supporting actor nominations in Korea and regionally in Asia for his role as Hie-bong in “The Host,” converting two of those into wins, at the Asia Pacific Film Festival and Korea’s Blue Dragon Awards.