Christopher Hemsworth (born 11 August 1983) is an Australian actor. He rose to prominence playing Kim Hyde in the Australian TV series Home and Away (2004–07) before beginning a film career in Hollywood by taking on parts in the science fiction film Star Trek (2009) and the thriller A Perfect Getaway (2009).
Hemsworth went on to star in the fantasy film Snow White and the Huntsman (2012), the war film Red Dawn (2012), the action thriller Blackhat (2015), the biographical thriller In the Heart of the Sea (2015), the comedy Ghostbusters (2016), and the Men in Black film series spin-off Men in Black: International (2019). His most critically acclaimed roles include the comedy horror The Cabin in the Woods (2012) and the biographical sports film Rush (2013), in which he portrayed James Hunt.
Furiosa: A Mad Max Saga received a six-minute standing ovation at Cannes Film Festival, reportedly leaving the cast and director George Miller emotional.The film, which is set for wide release on May 23, stars Anya Taylor-Joy and Chris Hemsworth and serves as a prequel to 2015’s Mad Max: Fury Road starring Tom Hardy, Charlize Theron and Zoë Kravitz.In the prequel, Taylor-Joy stars as a younger version of Theron’s character, who is snatched by the sadistic warlord Dementus (Hemsworth).
Forced to ride through the Wastelands with a great biker horde, Furiosa must fight to find her way home while Dementus and fellow tyrant Immortal Joe battle for dominance in the desert.Furiosa: A Mad Max Saga debuted at Cannes yesterday (May 15), and was met with a lengthy standing ovation, as is tradition at the French film festival.Variety reported that Hemsworth grew emotional during the applause, while the actor was also filmed kissing director George Miller on the head.
You can watch the footage below.A post shared by Variety (@variety)“We worked very hard on this film, and it’ll be very interesting to see what you make of it,” Miller said ahead of the screening. “Thank you for having us.”Furiosa has been heavily praised by critics in early reviews.
In a five-star write-up, NME described it as “another mighty, petrol-soaked masterpiece” and an “extraordinary blockbuster juggernaut that in some sequences somehow excels even its predecessor, arresting viewers with its booming, utterly immersive world of grease, dust, motorbikes and carnage.”The review adds: “Some may argue that Taylor-Joy’s lack of dialogue – she has just 30 spoken lines – matters but acting is not just talking.
Read more on nme.com