Michael Schneider Variety Editor at LargeIn recent decades, some of these spinoffs have been just as good as the original: I would lead with “Frasier,” out of “Cheers,” of course, which put Kelsey Grammer’s character front and center, making him just as iconic as Ted Danson’s Sam Malone.
And “Better Call Saul,” an idea that began as a bit of a lark when “Breaking Bad” was ending. Of course, Vince Gilligan and Peter Gould wound up creating something richer — a show led by Bob Odenkirk and Rhea Seehorn that went to dramatically dense places no one could have predicted.
It’s an immediate spin-off all-timer. “The Good Fight” continued the legacy of “The Good Wife,” but shifted the focus to Christine Baranski. “The Conners,” of course, is “Roseanne” minus Roseanne.
But those are spin-offs that kept a universe going by focusing on what had been supporting characters. (The less we say about “Joey,” the better.) Meanwhile what has always fascinated me is when a show ends…and then immediately continues on in a new form with the same lead characters.
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