It’s that mad time of year again, the fall season rush. In film terms, it’s manic in terms of releases and film festivals. And while slightly less hectic in the world of TV, there are a host of new and returning shows coming this fall, plus the Emmys in September.
But the era of what we used to routinely call #TooMuchContent has reduced in the drastically changing streaming wars. The Netflix stock market crash in 2002 had a ripple effect as Wall Street reevaluated streaming value; the 2023 strikes didn’t help, but the end result has been slightly less content, which has made it more manageable for writers like us and audiences, frankly, many of which didn’t have time to watch everything.
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