‘Eureka Day’ Broadway Review: Who Says Vaccines Are No Laughing Matter?

deadline.com:

Quick, think of something really humorous about vaccinations. No? Me neither, but playwright Jonathan Spector has done us all a favor and molded one of the most divisive, inane, grotesque and newly, resurgent issues of the day and polished it into a shiny, insightful and damn funny little gem so that all of us can ogle and ponder and reconsider just how in the name of Jonas Salk did we get here.

Spector’s play is called Eureka Day, opening tonight and immediately becoming one of the best productions Broadway has offered this season – and that’s really saying something, what with terrific Fall arrivals as Oh, Mary!, Death Becomes Her, Maybe Happy Ending and The Hills Of California.

Indeed, the 2024-25 Broadway season so far has been stuffed with great comedies, much more so that dramas, and Eureka Day holds its own with most of them (ok, maybe Oh, Mary!

stands alone). Not that all of Eureka Day is comedy – there’s plenty of drama here too, and genuinely insightful thoughts on the dreadful ways we speak to and treat one another these troubled days – but during the stretches where pious disagreements dissolve into the verbal equivalent of hair-pulling, well, belly laughs are on the way – and damned but you never actually see the characters delivering those lines, hiding behind the shield of their laptop keyboards as they are.