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‘Emilia Pérez’ Review: Jacques Audiard’s Musical Is Crazy, But Also A Marvel – Cannes Film Festival

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On paper, it looks mad as a loose wheel. A largely Spanish-language musical about a Mexican druglord having a sex change, featuring onetime Disney teen star Selena Gomez as a gangster’s wife: nobody could deny director and writer Jacques Audiard’s giddy determination to do something different, but how could Emilia Pérez be anything but a hot mess?

But here is it is on the screen, a musical marvel. Of course it’s crazy, but Audiard has set up his impossible conjuring trick and made it work.

Emilia Pérez fires up immediately with an eccentric chanson about consumption – “we buy washing machines; we buy microwaves” – that literally sets the tone for what will follow.

Rita Moro Castro (Zoe Saldaña) would love to consume a little more; she is a junior barrister flatlining as her boss’ more capable helpmate.

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