Looking outside America this Oscar season, there are plenty of candidates for the Best International Feature award. You might gravitate to Latvia’s Cannes entry Flow, a dialogue-free animation in which a black cat, a bird and a ragtag band of other creatures fight for survival in a human-free world after a catastrophic flood.
Or maybe you’ll fancy the chances of raucous Irish-language Sundance comedy Kneecap, a wildly stylized biopic of the English-baiting, all-male hip-hop trio from Belfast.
But these two are outliers; the international Oscar race this year is dominated by stories of women, from all over the world.
For example, the U.K.’s Hindi-language drama Santosh, filmed in Uttar Pradesh, Northern India, finds a policeman’s widow thrown into her late husband’s world, where she must battle police indifference and solve the murder of a low-caste local girl.
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