J. Kim Murphy Underground filmmaking duo Lev Kalman and Whitney Horn aren’t exactly honing a style with their new feature “Dream Team,” their fourth in 15 years.
That would imply that there’s some fully realized form that their offhand humor and nonsense divergences are working toward.
The film, which is receiving a limited theatrical release in New York and L.A. on Nov. 15, starts on firm ground, with a familiar buddy-detective premise that many a late-night genre junk programmer has used as a sturdy narrative foundation.
Unlike those commercial efforts, “Dream Team” hardly has continuity, much less narrative build, top of mind, instead reshaping itself every few minutes with a new surrealistic flourish, and seemingly no particular destination mapped out.
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