Peter Debruge Chief Film Critic“Animals are people too!” a liberal yahoo in Portland yells before nearly getting his face eaten off by a Belgian Malinois named Lulu in “Dog,” a movie that not-so-secretly agrees with that sentiment, even as it has a laugh at the clueless animal lover’s expense.Lulu, it turns out, is a more complicated character than the one her human co-star, Channing Tatum, gets to play — which explains why it took three Malinoises to embody her on screen: one to do most of the “acting” (Britta), one to lie down (Lana) and one to look as incorrigibly homicidal as possible, like she could rip out your throat or murder Al-Qaeda, if necessary (that would be Zuza).
But Tatum had the much tougher job, trying to disappear into the skin of a battle-scarred ex-U.S. Army Ranger tasked with transporting Lulu across the Western United States, while also co-directing the project (with screenwriter and longtime producing partner Reid Carolin) at the same time.
Like John Travolta and Sylvester Stallone before him, Tatum is not an actor of particularly wide range, but he knows what his audience wants, and in “Dog,” he gives them more than they bargained for.
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