through , the television adaptation of Sally Rooney’s 2018 novel, broadcast in the depths of global lockdown in 2020. She played Marianne, a bookish and sensitive outsider to ’s handsome and still-waters-run-deep Connell.
It would take Edgar-Jones a while—and a couple of co-signs—to shake off the awkward schoolgirl image.She was prim and proper as a rising star—posing on red carpets in puff-sleeve floral frocks and presidential pant suits, Chanel tweeds and Ralph Lauren slips—but fast-forward four years and Edgar-Jones is using the promotional tour for Twisters as a launchpad into Hollywood’s It-girl canon.
She’s worn corseted —a rite of passage for any English rose turned Hollywood bombshell—nipple-embellished Schiaparelli minidresses, backless Gucci column gowns, and diaphanous, drop-waisted 16Arlington dresses.
Tasteful, polished, elegant…but cool.Styled by Dani Michelle—the invisible hand behind Rosie-Huntington Whiteley’s, ’s, and Kendall Jenner’s wardrobes—much of this transformation is down to Daisy Edgar-Jones’ relationship with Chemena Kamali’s Chloé.Chloé’s new clog—a wooden kitten-heeled slip-on that is so, so wrong in all the right ways—is the season’s sleeper hit.She was earlier this week photographed in so-wrong-they’re-right and an oversized hobo bag that dominated at least half of the actor’s five-foot-seven-inch frame.
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