Critic’s Notebook: At Berlin, New Talents and Youthful ‘Dreams’ Signal a Fresh Chapter for 75-Year-Old Fest
variety.comPeter Debruge Chief Film Critic How far back in the Berlin Film Festival’s 75-year history do you have to go to find an edition as strong as this one?
About a quarter-century, I reckon, to 2002, when “Bloody Sunday” and “Spirited Away” tied for the festival’s top prize. As long as I can remember, Berlin held the distant-third spot in the so-called “Big Three” festivals, far behind Cannes and Venice in both prestige and its power to attract the caliber of movies that shape the conversation.
It may never surpass its two older cousins (Cannes was established five years earlier, while Venice dates back to 1932), but for the first time in forever, under the direction of incoming festival chief Tricia Tuttle and her team, I felt a frisson of excitement bubbling up through the slippery ice and sub-zero temperatures.
Berlin has always felt like a slog, between the climate and the scandalously low hit-to-miss ratio in a sprawling lineup of nearly 200 films.
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