‘Confess, Fletch’ Review: Jon Hamm Revives the Unconventional Sleuth Chevy Chase Made Famous

Jon Hamm is madly in love with fellow "Mad Men" actress Anna Osceola.  Hamm got candid in an interview about their relationship, and said he’s "very much" head over heels for his partner.  "It's only been in the last couple of years, me kind of sitting down and really thinking about all that stuff, that's made the relationship that I'm in now even more meaningful and opened up the possibility of things like being married, having kids, defining a new version of happiness, life, wellness..." Hamm said on "The Howard Stern Show" Monday."It sounds hokey and whatever, but it's real and it's – for want of a better word – it's what I'm working for." The "Mad Men" alum’s comments come on the heels of the actor revealing he’s been in the "process of working on [himself]" after losing his mom when he was 10 years old.  In March, Jon Hamm, 51, and Anna Osceola, 34, made their red carpet debut as a couple at an Oscars party. (Getty Images) Hamm added that it took him some time and therapy to get to a state where he could consider settling down with Osceola.  Jon Hamm got candid in an interview about the Hollywood couple’s relationship and said he’s "very much" head over heels for his partner, Anna Osceola.

Jon Hamm has revealed that he is more open to the idea of marriage and children amid his relationship with Anna Osceola.The 51-year-old actor - who has never been married before - was candid as he talked about his relationship with the 34-year-old actress and how therapy has helped  him think more seriously about the future of their relationship.He appeared on The Howard Stern Show on SiriusXM on Monday where he talked about feeling 'very settled and comfortable' at this stage in his life with the stunning actress. Revealing: Jon Hamm revealed on The Howard Stern Show on SiriusXM on Monday that he is more open to the idea of marriage and children amid his relationship with Anna Osceola Opening up: The 51-year-old actor - who has never been married before - was candid as he talked about his relationship with the 34-year-old actress and how therapy has helped him think more seriously about the future of their relationship, as they are pictured in West Hollywood earlier this monthJon said: 'I'm in a relationship right now and...

Jon Hamm is opening up about being in love with his partner Anna Osceola.

Ready to settle down? Jon Hamm gushed about his girlfriend, Anna Osceola, in a new interview — and hinted that the couple are discussing marriage.

Jon Hamm has finally addressed the rumour suggesting he prefers to go commando. Back in September 2012, a photo showing the Mad Men actor walking around New York City went viral on social media after fans began to speculate that he wasn't wearing underwear underneath his trousers. But during an appearance on The Howard Stern Show on Monday, Jon insisted that the gossip isn't true.

addressed “the penis thing” on Monday on the Howard Stern Show and whether or not the rumors that he prefers going commando are true.The 51-year-old actor was asked by Stern about whether or not he wears underwear.“I have worn underwear every single day of my life, Howard,” stated Hamm.“First of all, who doesn’t wear underwear? Yeah, I’ve worn underwear every day of my life. With a suit? Come on. I love a comfy boxer brief, thank you very much.

Emmy winner Jon Hamm finally addressed the rumor that he prefers going commando a decade after pictures of him strutting down Madison Avenue while wearing clingy pants went viral.The well-endowed 51-year-old burst out laughing when he was confronted on The Howard Stern Show on Monday about 'the whole penis thing.'The 68-year-old host brought up the New York Daily News' report in 2013 that Jon 'was politely instructed by an AMC staffer to please wear underwear' while shooting Mad Men because his 'impressive anatomy was too distracting.' Emmy winner Jon Hamm finally addressed the rumor that he prefers going commando a decade after pictures of him strutting down Madison Avenue while wearing clingy pants went viral (pictured in 2012 with ex-girlfriend Jennifer Westfeldt)'I have worn underwear every single day of my life, Howard,' Hamm stated.'First of all, who doesn't wear underwear? Yeah, I've worn underwear every day of my life. With a suit? Come on.

Jon Hamm sat down for his first interview on SiriusXM’s “The Howard Stern Show” where he chatted about a number of topics including his current relationship and meeting Tom Cruise for the first time, plus he finally addressed a longstanding rumour about himself.

Jon Hamm is opening up about the rumors that he doesn’t wear underwear, almost exactly 10 years after those photos went viral.

Peter Debruge Chief Film Critic In the DC Extended Universe, it’s not the villains who have identity issues, but the heroes. Bruce Wayne watched his parents get murdered, adopted a teenage sidekick and now spends his nights cosplaying as the creature everyone associates with vampires. Kal-El also saw his parents die and goes through life trying to pass as the earthling Clark Kent, wearing spandex under his work clothes, just in case. These are not the traits of well-adjusted normies, and as such, there’s enormous subversive appeal in seeing trans artist Vera Drew turn such iconic characters inside-out in the illicitly made marvel that is “The People’s Joker.” Coming from a place of deep fan love and equally profound institutional mistrust, Drew’s anarchic feature-length parody impishly treads the line of fair use, so much so that the helmer pulled the film from the Toronto Film Festival after its raucous Midnight Madness premiere, citing “rights issues.” But what did she expect? The irreverent underground project reimagines the Joker’s origin story as a queer coming-of-age/coming-to-terms narrative, using a mishmash of styles: mostly crude live-action of the kind you expect from public-access programming (shot against greenscreens, then composited with rudimentary CG sets), embellished with various forms of homemade animation.

In today’s episode of The Discourse, host Mike DeAngelo puts on his “investigative reporter of some repute” hat and talks about Miramax’s latest release, “Confess, Fletch,” with the director Greg Mottola (“Superbad,” “Adventureland”) and star Jon Hamm (“Mad Men,” “Top Gun: Maverick”). In the film, Fletch (Hamm) finds himself as the prime suspect in a murder investigation, requiring him to revive his own investigative skills in order to track down the real murderer and his new girlfriend’s art collection.

Reese Witherspoon can't say much about season 3 of , but she did tease what fans can expect from Jon Hamm's character when the show returns. ET spoke with Witherspoon at the Apple TV+ Emmys after-party Monday, where she shared her excitement for the Emmy-nominated show's upcoming season.«I don't think I can tell you anything,» Witherspoon admitted.

The problem with Michael Ritchie’s 1985 film “Fletch” is that it’s a perfectly good ’80s Chevy Chase action-comedy and a very bad adaptation of Gregory McDonald’s Edgar-award-winning mystery novel. It’s a dichotomy that becomes clear if you’re one of the many, many ’80s kids (hello) who watched “Fletch” on video and HBO so many times we memorized it and then went to read the book – and its ten (ten!) follow-ups – and discovered they were something different altogether.

Peter Debruge Chief Film Critic English novelist E.M. Forster never married, and why would he? The author of “Maurice” and “Howards End” was gay, reportedly maintaining relations with a much-younger police officer over the span of four decades. That man did marry, and history has it that his wife knew their secret. In “My Policeman,” this unconventional arrangement lends itself quite nicely to one of those slightly stuffy yet respectable period pieces of the kind that Ismail Merchant and James Ivory have made of Forster’s novels, jumping back and forth in time between the sexy stuff (featuring Harry Styles, fully embracing the ambiguity of his queerbaiting brand) and the maudlin way it resolves itself so many years later.

Peter Debruge Chief Film Critic No director has done more to deconstruct the myth of the suburban American family than Steven Spielberg. Dissertations have been written and documentaries made on the subject. And now, at the spry young age of 75, Spielberg himself weighs in on where his preoccupations come from in “The Fabelmans,” a personal account of his upbringing that feels like listening to two and a half hours’ worth of well-polished cocktail-party anecdotes, only better, since he’s gone to the trouble of staging them all for our benefit. Spielberg’s a born storyteller, and these are arguably his most precious stories. From the first movie he saw (“The Greatest Show on Earth”) to memories of meeting filmmaker John Ford on the Paramount lot, this endearing, broadly appealing account of how Spielberg was smitten by the medium — and why the prodigy nearly abandoned picture-making before his career even started — holds the keys to so much of the master’s filmography. More similar to Woody Allen’s autobiographical “Radio Days” than it is to European art films such as “The 400 Blows” and “Amistad” (the more highbrow models other directors typically point to when re-creating their childhoods), “The Fabelmans” invites audiences into the home and headspace of the world’s most beloved living director, an oddly sanitized zone where even the trauma — which includes anti-Semitism, financial disadvantage and divorce — seems to go better with fresh-buttered popcorn.

Peter Debruge Chief Film Critic It’s 2022, and a Hollywood studio has just made a movie in which two men fall in love and can’t figure out what to do about it. No one dies of AIDS. No one gets tire-ironed on the side of the road. Judd Apatow produced the thing, so you know it’s funny. And yet, somehow, “Bros” doesn’t feel like that big a deal. Sure, it’s a well-budgeted, wide-release, R-rated gay romcom, and that’s historic (if you put enough qualifying adjectives in front of it). But one of those had to come along sooner or later. Oddly, it feels like there already have been others, and there’s no question more are coming, considering how hard Hollywood has been working to include gay characters.

Ethan Shanfeld As “Top Gun: Maverick” continues to dominate the box office more than three months after its release, Jon Hamm, who stars in the movie as Vice Admiral Beau “Cyclone” Simpson, is still celebrating its success. In an interview with Entertainment Tonight, Hamm noted that the Tom Cruise-led sequel is the only film to top the box office on both Memorial Day (when it premiered) and Labor Day. “That’s unprecedented in many ways,” Hamm said. “It’s one of the only top five [films] that doesn’t have somebody in a cape or on a spaceship. It’s a story about real people, it’s got a lot of emotional resonance, people are really responding to it.”

Peter Debruge Chief Film Critic “If we got rid of every gay man in the military, there would be no military,” a sympathetic officer tells Marine recruit Ellis French in “The Inspection.” That’s an exceptionally open-minded take on the United States’ “don’t ask, don’t tell” policy, seeing as how pretty much everyone else French encounters at boot camp is openly hostile to there being a gay man among them. But writer-director Elegance Bratton made it through the system — like the character, he’d been lost and homeless for a decade before enlisting — and this deeply personal narrative debut is one gay Black man’s way of showing how he not only survived the experience, but was strengthened by it. “The few, the proud,” as they say.

Peter Debruge Chief Film Critic You’ve heard the expression, “There are only nine meals between mankind and anarchy.” Well, “The Grab” makes the case that society had best brace itself for disorder, since certain parties are gobbling up the world’s food and water resources while the rest of us are distracted by other things. Produced in association with the Center for Investigative Reporting, “Blackfish” director Gabriela Cowperthwaite’s astonishing, eye-opening doc hits us with the idea that the next world war won’t be fought over ideology, oil or border disputes, but basic resources like meat, wheat and water, none of which should be taken for granted. Experts call this field “food security,” and the entire system is more fragile than it looks. World populations are climbing while water resources are dwindling, which has led countries such as Saudi Arabia and China to seek farmland on other continents. Among its myriad examples, “The Grab” focuses on a 15-square-mile expanse in La Paz, Ariz., an arid desert locale where there’s no limit to the amount of water landowners can pump from the aquifers. Arizona’s policy of unrestricted access means Saudi investors can legally tap into the water table to grow fields of hay, which will be shipped home to feed their cattle, even if it means draining the wells of local farmers in the process.